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The Missing Chapter of Eagle's Gift

Friday, May 10th, 2013

(I recently came across this online and decided to post it here in it's entirety.)

This is a translation of The Six Explanatory Propositions which were included in the Spanish language version of the Eagle's Gift but were never published in the English versions of the book.

"In spite of the amazing maneuvers that don Juan did with my awareness, along the years I stubbornly insisted in trying to intellectually evaluate what he did. Although I have written at length about these maneuvers, it has always been from a strictly experiential point of view and, besides, from a strictly rational perspective.

Immersed as I was in my own rationality, I couldn't recognize the goals of the teachings of Don Juan. To understand the stretch of these goals with a certain degree of precision, it was necessary that I lost my human form and arrived to the totality of myself.

The teachings of Don Juan were meant to guide me through the second stage of a warrior's development: the verification and unrestricted acceptance that within us lies another type of awareness. This stage was divided into two categories. The first one, for which Don Juan required Don Genaro's help, dealt with two activities. It consisted of showing me certain procedures, actions and methods that were designed to exercise my awareness. The second one had to do with the six explanatory propositions.

Due to the difficulties that I had in adapting my rationality in order to accept the plausibility of what he was teaching me, Don Juan presented these explanatory propositions in terms of my scholastic records. The first thing he did, as an introduction, was to create a division in myself by means of a specific blow on the right shoulder blade, a blow which made me enter an unusual state of awareness, which I couldn't recall once I was back to normality.

Until the moment in which Don Juan made me enter such state of awareness, I had an undeniable sense of continuity, which I thought of as a product of my vital experience. The idea that I had about myself was that of being a full entity that could explain everything it had done.

Besides, I was convinced that the dwelling of all my awareness, if there was such, was in my head. However, Don Juan showed me with his blow that it exists a center in the spinal cord, at the height of the shoulder blades, that is obviously a center of enhanced awareness.

When I questioned Don Juan about the nature of this blow, he explained that the nagual is a director, a guide who bears the responsibility of opening the way, and that he must be impeccable to impregnate his warriors with a sense of confidence and clarity. Only under these conditions is a nagual in the possibility of giving this blow on the back to force a displacement of awareness, because the power of the nagual is what allows the transition. If the nagual is not an impeccable practitioner, the displacement doesn't occur, as when I tried, unsuccessfully, to put the other apprentices in a state of heightened awareness hitting them on the back before we ventured into the bridge.

I asked Don Juan what this displacement of awareness implied. He said that the nagual has to strike on a precise spot, which varies from person to person but which is always located in the general area of the shoulder blades. A nagual has to see to specify the spot, which is located in the periphery of one's luminosity and not on the physical body itself; once the nagual identifies it, he pushes it in, more that striking it, and thus creates a concavity, a depression in the luminous shield. The state of heightened awareness resulting from this blow lasts as much as this depression lasts. Some luminous shields go back to their original forms by themselves, some have to be struck in another point to be restored, and some others never go back to their oval shapes.

Don Juan said that seers see awareness as a peculiar glow. Everyday awareness is a glow on the right side, which extends from the physical body's exterior to the periphery of our luminosity. Heightened awareness is a more intense shine associated with great speed and concentration, a fulgor which saturates the periphery of the left side.

Don Juan said that seers explain what happens with the blow of the nagual as a temporal dislodging of a center located in the luminous cocoon of the body. The Eagle's emanations are in reality evaluated and selected in that center. The blow alters their normal behavior.

Through their observations, seers have reached the conclusion that warriors must be put in that state of disorientation. The change in the way awareness works under these conditions makes this state an ideal territory to dillucidate the commands of the Eagle: it allows warriors to function as if they were in everyday awareness, with the difference that they can concentrate in everything they do with unprecedented clarity and strength.

Don Juan said that my situation was analogous to the one he had experienced. His benefactor created a deep division in himself, making him move once and once again from the awareness of the right side to the awareness of the left side. The clarity and freedom of his left side awareness were in direct opposition to the rationalizations and endless defenses of his right side. He told me that all warriors are cast into the depths of the same situation that polarity molds, and that the nagual creates and reinforces the division to be able to lead his apprentices to the conviction that there is an awareness in human beings yet unexplored.

1. What we perceive as the world are the Eagle's emanations.

Don Juan explained to me that the world we perceive does not have a transcendental existence. Since we are familiarized with it we believe that what we perceive is a world of objects which exist such as we perceive them, when in reality there is not a world of objects, but, rather, a universe of Eagle's emanations.

These emanations represent the only immutable reality. It is a reality that encompasses all that is, perceivable and unperceivable, knowable and unknowable.

Seers who see the Eagle's emanations call them commands because of their urging force. All living creatures are urged to use the emanations, and they use them without getting to know what they are. Ordinary men interpret them as reality. And seers who see the emanations interpret them as the rule.

Despite the fact that seers see the emanations, they don't have a way of knowing what it is they are seeing. Instead of entangling themselves with useless conjectures, seers occupy themselves in the functional speculation of how the Eagle's commands can be interpreted. Don Juan sustained that to intuit a reality which transcends the world we perceive stays at the level of conjecture; it is not enough for a warrior to conjecture that the Eagle's commands are instantly perceived by all creatures that live on Earth, and that none of them perceives them in the same way. Warriors must try to behold the flow of emanations and "see" the way in which man and other living beings use it to build their perceptual world.

When I proposed to use the word "description" instead of Eagles's emanations, Don Juan said that he was not making a metaphor. He said that the word "description" connotes a human agreement, and that what we perceive stems from a command in which human agreements do not count.

2. Attention is what makes us perceive the Eagle's emanations as the action of skimming.

Don Juan used to say that perception is a physical faculty that living creatures groom; the final result of this grooming is known, among seers, as "attention". Don Juan described attention as the action of hooking and channeling perception. He said that this action is our most singular feat, which covers all the spectrum of human alternatives and possibilities. Don Juan established a precise distinction between alternatives and possibilities. Human alternatives are those that we are enabled to choose as persons who function within the social environment. Our landscape of this dominion is quite limited. Human possibilities are those that we are capable of achieving as luminous beings.

Don Juan revealed to me a classificatory scheme of three types of attention, emphasizing that calling them "types" was erroneous. In fact, they are three levels of knowledge: first, second and third attention; each one of them an independent dominion, complete in itself.

For a warrior that is in the initial stages of his learning, the first attention is the most important of the three. Don Juan said that his explanatory propositions were attempts to bring into first frame the way in which the first attention works, something that passes completely unadverted to us. He considered imperative for warriors to understand the nature of the first attention if they were going to venture into the other two. He explained to me that the first attention has been taught how to move instantly through a whole spectrum of the Eagle's emanations, without emphasizing at all that fact, in order to reach "perceptual units" which all of us have learned that are perceivable. Seers call this feat "skimming", because it implies the capability of suppressing those emanations which are superfluous and selecting which of them must be emphasized.

Don Juan explained this process taking as an example the mountain that we were seeing at that moment. He stressed that my first attention, at the moment of seeing the mountain, had skimmed an infinite number of emanations to obtain a miracle of perception; a skimming that all human beings know because each one of them has attained it by himself.

Seers contend that everything the first attention suppresses to obtain a skimming, cannot be recovered anymore by the first attention under any condition. Once we learn to perceive in terms of skimmings, our senses stop registering the superfluous emanations. To dillucidate this point he gave me the example of the skimming: "human body". He said that our first attention is totally unconscious of the emanations that compose the external luminous shield of the physical body. Our oval cocoon is not subjected to perception; those emanations have been rejected which would make it perceivable in benefit of those which allow the first attention to perceive the physical body such as we know it. Therefore, the perceptual goal that children must achieve as they grow up consists in learning to isolate the appropriate emanations to be able to channel their chaotic perception and transform it into the first attention; in doing so, they learn how to build skimmings. All grown up human beings who surround children teach them how to skim. Sooner or later, children learn to control their first attention in order to perceive skimmings in terms which are alike to those of their teachers.

Don Juan never ceased to be amazed at the capability of human beings to bring order into the chaos of perception. He ontended that all of us, by his/her own merits, is a magistral magician and that our magic consists in rendering reality to the skimmings that our first attention has learned how to build. The fact that we perceive in terms of skimmings is the Eagle's command, but to perceive the commands as objects is our power, our magical gift. Our fallacy, on the other hand, is that we always end up being one-sided when forgetting that skimmings are only real in terms that we perceive them as real, due to the power that we have to do it. Don Juan called this an error in judgment which destroys the richness of our mysterious origins.

3. The skimmings are made sense of by the first ring of power.

Don Juan used to say that the first ring of power is the force that stems from the Eagle's emanations to affect exclusively our first attention. He explained that it has been represented as a "ring" because of its dynamism, of its uninterrupted movement. It has been called ring "of power" due to, first, its compulsive character, and, second, because of its unique ability to stop its works, to change them or reverse their direction.

The compulsive character is better shown in the fact that it doesn't only urge the first attention to build and perpetuate skimmings, but it also demands a consensus from all the participants. Each one of us is demanded a complete agreement upon the faithful reproduction of skimmings, since conformity to the first ring of power must be total.

It is precisely this conformity which gives us the certainty that skimmings are objects which exist as such, independent from our perception. Besides, the compulsiveness of the first ring of power does not cease after the initial agreement, but it demands that we continuously renovate the agreement. Our whole life we must operate as if, for example, each one of our skimmings was perceptually the first one for each human being, in spite of languages and cultures. Don Juan granted that even if all this is too serious to be taken jokingly, the urging character of the first ring of power is so intense that forces us to believe that if the "mountain" could have an awareness of its own, it would consider itself as the skimming that we have learned how to build.

The most valuable feature that the first ring of power bears to a warrior is the singular capability of interrupting its flux of energy, or to totally suspend it. Don Juan said that this is a latent capability which exists within us all as a backup unit. In our narrow world of skimmings, there is no need to use it. Since we are so efficiently buttressed and shielded by the net of the first attention, we do not realize, not even vaguely, that we have hidden resources. However, if another alternative to follow would present itself to us, such as is the warrior's option to use the second attention, the latent capability of the first ring of power could start to function and could be used with spectacular results.

Don Juan underlined that the biggest feat of sorcerers is the process of activating this latent capability; he called it blocking the intent of the first ring of power. He explained to me that the Eagle's emanations, which have already been isolated by the first attention in order to build the everyday world, exert an unbending pressure upon the first attention. For this pressure to stop its activity, the intent must be displaced. Seers call this an obstruction or an interruption of the first ring of power.

4. Intent is the force that moves the first ring of power.

Don Juan explained to me that intent doesn't refer to have an intention, or to want one thing or the other, but rather has to do with an imponderable force that makes us behave in ways which could be described as intentions, wishing, volition, etc. Don Juan didn't bring it forth as a condition of being, stemming from oneself, such as is a habit produced by socialization, or a biological reaction, but rather brought it forth as a private, intimate force that we possess and use individually as a key that makes the first ring of power move in acceptable ways.

Intent is what directs our first attention in order for it to focus on the Eagle's emanations within a certain frame. And intent is also what commands the first ring of power to obstruct or interrupt its flux of energy.

Don Juan suggested me to conceive intent as an invisible force which exists in the universe, without receiving itself, but still affecting everything: the force that creates and sustains skimmings. He asserted that skimmings must be incessantly recreated to be imbued with continuity. In order to recreate them each time with the freshness that they need to build a living world, we must intend them each time we build them. For instance, we must intend the "mountain" along with all its complexities for the skimming to be fully materialized.

Don Juan said that, for a spectator, who behaves exclusively based upon the first attention without the intervention of intent, the "mountain" would appear as an entirely different skimming. It could appear as the skimming "geometric form" or "amorphous spot of color". For the skimming mountain to be completed, the spectator must intend it, whether it is unconsciously through the urging force of the first ring of power, or premeditatedly, through the warrior's training. Don Juan pointed to me the three ways in which intent comes to us. The most predominating one is known by seers as "the intent of the first ring of power". This is a blind intent which comes to us by chance. It is as if we were in its way, or as if intent was in ours. Inevitably we find ourselves trapped in its net without having the least control of what is happening to us.

The second way is when intent comes to us by its own. This requires a considerable amount of purpose, a sense of determination on our part. Only in our capability as warriors we can put ourselves voluntarily in the way of intent; we summon it, so to speak. Don Juan explained to me that his insistence in being an impeccable warrior was nothing more than an effort to let intent know that he is putting himself in its way.

Don Juan used to say that warriors call this phenomenon "power". Thus when they speak of having personal power, they are referring to the intent that comes to them voluntarily. The outcome, he used to say to me, can be described as the facility to find new solutions, or the facility to affect people or events. It is as if other possibilities, previously unknown by the warrior, suddenly become apparent. In this way, an impeccable warrior never plans anything ahead, but his actions are so decisive that it seems as if the warrior had calculated beforehand each facet of his activity. The third way in which we find intent is the most rare and complex of the three; it occurs when intent allows us to harmonize with it. Don Juan described this state as the real moment of power: the culmination of a lifetime effort in search of impeccability. Only supreme warriors obtain it, and as long as they are in such state, intent lets itself be handled by them at will. It is as if intent had fused in those warriors, and in doing so it transforms them into a pure force, without preconceptions. Seers call this state the "intent of the second ring of power", or "will".

5. The first ring of power can be stopped by a functional blocking of the capability of building skimmings.

Don Juan used to say that the function of the not-doings is to create an obstruction in the usual focus of out first attention. The notdoings are, in this sense, maneuvers destined to prepare the first attention for the functional blocking of the first ring of power, or, in other words, for the interruption of intent.

Don Juan explained to me that this functional blocking, which is the only method to systematically use the latent capability of the first ring of power, represents a temporal interruption that the benefactor creates in the disciple's capability for building skimmings. It is a premeditated and powerful artificial intrusion into the first attention, in order to push it beyond the appearances which the known skimmings present to us; this intrusion is accomplished by interrupting the intent of the first ring of power.

Don Juan used to say that in order to achieve this interruption, the benefactor treats intent as what it really is, a flux, a current of energy that can eventually be stopped or reoriented. An interruption of this nature, however, implies a commotion of such magnitude that can orce the first ring of power to stop fully; a situation which is impossible to conceive under our normal life conditions. It is unthinkable to us that we can un-walk the steps we took when we consolidated our perception, but it is feasible that under the impact of this interruption we could place ourselves in a perceptual position very similar to the one of our beginnings, when the Eagle's commands were emanations which we still had not imbued with significance.

Don Juan used to say that any procedure the benefactor could use to create this interruption must be intimately linked with his personal power. Therefore, a benefactor doesn't use any process to handle intent, but rather moves it and makes it available to the apprentice trough his personal power. In my case, Don Juan achieved the functional blocking of the first ring of power through a complex process, which combined three methods: the ingestion of hallucinogenic plants, manipulation of the body and maneuvering with intent itself.

In the beginning Don Juan relied strongly upon the ingestion of hallucinogenic plants, apparently due to the persistence of my rational side. The effect was tremendous, and yet retarded the sought for interruption. The fact that the plants were hallucinogenic offered my reason the perfect justification to congregate all of its available resources to continue exerting control. I was convinced that I could logically explain anything that I was experiencing, along with the inconceivable feats that Don Juan and Don Genaro used to do to create the interruptions, as perceptual distortions caused by the ingestion of hallucinogenics.

Don Juan used to say that the most remarkable effect of hallucinogenic plants was something that every time I ingested them I interpreted as the peculiar feeling that everything around me oozed a surprising richness. There were colors, forms, details that I had never beheld before. Don Juan used this increment in my ability to perceive, and, through a series of commands and comments used to force me to enter a state of nervous restlessness.

Afterwards he manipulated my body and made me shift from one side of awareness to the other, until I had created phantasmagorical visions or absolutely real scenes with tridimensional creatures that could not possibly exist in this world.

Don Juan explained to me that once the direct relation between intent and the skimmings we are constructing is broken, it cannot ever be repaired. From that moment on we acquire the ability to catch a current of what he described as "phantom intent", or the intent of the skimmings which are not present at the moment or place of the interruption, this is to say, an intent put at our disposal through some aspect of memory.

Don Juan asserted that with the interruption of the intent of the first ring of power we become receptive and moldable; a nagual can then introduce the intent of the second ring of power. Don Juan was convinced that children of a certain age find themselves in a similar situation of receptivity; being deprived of intent, they are ready to be imprinted with any intent which is available to the teachers who surround them.

After my period of continious ingestion of hallucinogenic plants, Don Juan totally discontinuated its use. However, he obtained new and more dramatic interruptions in myself manipulating my body and making me shift states of awareness, combining all this with maneuvers with intent itself. Through a combination of mesmerizing instructions and adequate comments, Don Juan created a current of "phantom intent" and I was lead to experience common skimmings as something unimaginable. He conceptualized all this as "glancing into the immensity of the Eagle".

Don Juan masterfully lead me through countless interruptions of intent until he was convinced, as a seer, that my body showed the effects of the functional blocking of the first ring of power. He said that he could see a unusual activity around the area of the shoulder blades. He described it as a little hole that had formed exactly as if the luminosity was a muscular layer contracted by a nerve.

To me, the effect of the functional blocking of the first ring of power was that it managed to erase the certainty which I had all my life that what my senses reported was "real". Quietly I entered a state of inner silence. Don Juan used to say that what gives warriors that extreme uncertainty that his benefactor had experienced at the end of his life, that resignation to failure that he himself was living, is the fact that one glance into the immensity of the Eagle leaves one without hope. Hope is the result of our familiarity with skimmings and the idea that we control them. In such moments only the warrior's life can help us to persevere in our efforts to discover that which the Eagle has concealed from us, but without hope that we can get to understand what we discover.

6. The second attention.

Don Juan explained to me that the examination of the second attention must begin with the realization that the force of the first ring of power, which boxes us in, is a physical, concrete edge. Seers have described it as a wall of fog, a barrier that can be systematically brought to our awareness by means of the blocking of the first ring of power; and then can be perforated by means of the warrior's training.

After perforating this wall of fog, one enters a broad intermediate state. The task of the warriors then consists in going through it until they reach the next divisory line, which must be perforated in order to enter what it is properly the other self or the second attention.

Don Juan used to say that the two divisory lines are perfectly recognizable. When warriors perforate the wall of fog they feel that their bodies are squeezed, or they feel an intense shaking in the cavity of their bodies, generally to the right of the stomach or through the middle part, from right to left. When warriors perforate the second line, they feel an acute crack on the upper part of the body, something like the sound of a dry bough that is broken in two.

The two lines that box in both attentions, and individually seal them, are known to seers as the parallel lines. These seal both attentions by means of the fact that they extend into infinity, without ever allowing the crossing unless they are perforated.

Between both lines there exists an area of specific awareness that seers call limbo, or the world between the parallel lines. It is a real space between two huge orders of the Eagle's emanations; emanations which are within the human possibilities of awareness. One is the level which creates the self of everyday life, and the other is the level which creates the other self. Since the limbo is a transitional zone, there both fields of emanations extend one upon the other. The fraction of the level which is known to us, that extends into that area, hooks a portion of the first ring of power; and the capability of the first ring of power to build skimmings makes us perceive a series of skimmings in the limbo which are almost as those of everyday life, except that they appear grotesque, uncanny and contorted. In this manner the limbo has specific features that do not change arbitrarily each time that one goes into it. There exist in it physical features which resemble the skimmings of everyday life.

Don Juan sustained that the feeling of heaviness experienced in the limbo is due to the growing burden that has been placed on the first attention. In the area located right behind the wall of fog we can still behave as we do normally; it is as if we were in a grotesque but recognizable world. As we penetrate further into it, beyond the wall of fog, it becomes progressively difficult to recognize the features or to behave in terms of the known self. He explained to me that it was possible to make that instead of the wall of fog anything else appeared, but that seers have opted for accentuating that which consumes less energy: to visualize the wall of fog does not demand any effort.

What exists beyond the second divisory line is known by seers as the second attention, or the other self, or the parallel world; and the action of going through both edges is known as "crossing the parallel lines". Don Juan thought that I could assimilate this concept more firmly if he described each dominion of awareness as a specific perceptual predisposition.

He told me that in the territory of everyday awareness we are inescapably entangled into the specific perceptual predisposition of the first attention. From the moment in which the first ring of power begins to build skimmings, the way of building them becomes our normal perceptual predisposition. Breaking the unifying force of the first attention implies to break the first divisory line. The normal perceptual predisposition passes then into the intermediate area which is between the parallel lines. One keeps building almost normal skimmings for some time. But as one approaches what seers call the second divisory line, the perceptual predisposition of the first attention begins to recede, it loses strength. Don Juan used to say that this transition is marked by a sudden incapability of remembering or understanding what one is doing.

When one gets closer to the second divisory line, the second attention begins to act on the warriors who undertake the voyage. If they are inexperienced, their awareness gets emptied, it goes blank. Don Juan held that this occurs because they are approaching a spectrum of the Eagle's emanations which has not yet a systematized perceptual predisposition. My experiences with la Gorda and the nagual woman beyond the wall of fog were an example of this incapability. I traveled as far as the other self, but I couldn't account on what we had done for the simple reason that my second attention was still unformulated and it did not give me the opportunity of formulating all I had perceived.

Don Juan explained to me that one begins to activate the second ring of power by forcing the second attention to wake from its slumber. The functional blocking of the first ring of power achieves this. Then, the task of the teacher consists in recreating the condition which started the first ring of power, the condition of being saturated with intent. The first ring of power is put in motion by the force of the intent given by those who teach how to skim. As my teacher he was giving me, then, a new intent which would create a new perceptual environment.

Don Juan said that it takes a lifetime of unceasing discipline, which seers call unbending intent, to prepare the second ring of power to be able to build skimmings which belong to another level of the Eagle's emanations. To dominate the perceptual predisposition of the parallel self is a feat of peerless value which few warriors achieve. Silvio Manuel was one of those few.

Don Juan warned me that one must not attempt to deliberately dominate it. If this happens, it must be through a natural process which unfolds itself without much effort from our part. He explained to me that the reason for this indifference lies on the practical consideration that when it is dominated it simply becomes very difficult to break, since the goal that warriors actively pursuit is to break both perceptual predispositions to enter the final freedom of the third attention.

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Recapitulation

Thursday, April 8th, 2010

I am sure that you have bouts with intent. You intended something and anything that was opposed to it you had to let go. The touch of warrior-travelers is very light, although it is cultivated. The hand of a warrior-traveler begins as a heavy, gripping, iron hand but becomes like the hand of a ghost, a hand made of gossamer. Warrior-travelers leave no marks, no tracks. That's the challenge for warrior-travelers.

I'm going to delineate the intricacies of awareness and perception, which are the basis of the recapitulation. I am going to present an arrangement of concepts that you should not take as sorcerers' theories under any conditions, because it is an arrangement formulated by the shamans of ancient Mexico as a result of seeing energy directly as it flows in the universe. I will present the units of this arrangement to you without any attempt at classifying them or ranking them by any predetermined standard.

I'm not interested in classifications. You have been classifying everything all your life. Now you are going to be forced to stay away from classifications. Classifications have a world of their own. After you begin to classify anything, the classification becomes alive, and it rules you. But since classifications never started as energy-giving affairs, they always remain like dead logs. They are not trees; they are merely logs.

The sorcerers of ancient Mexico saw that the universe at large is composed of energy fields in the form of luminous filaments. They saw zillions of them, wherever they turned to see. They also saw that those energy fields arranged themselves into currents of luminous fibers, streams that are constant, perennial forces in the universe. The current or stream of filaments that is related to the recapitulation was named by those sorcerers the dark sea of awareness, the indescribable force, and also the Eagle.

Those sorcerers also found out that every creature in the universe is attached to the dark sea of awareness at a round point of luminosity that was apparent when those creatures were perceived as energy. On that point of luminosity, which the sorcerers of ancient Mexico called the assemblage point of human beings, zillions of energy fields from the universe at large, in the form of luminous filaments, converge and go through it. These energy fields are converted into sensory data, and the sensory data is then interpreted and perceived as the world we know. What turns the luminous fibers into sensory data is the dark sea of awareness. Sorcerers see this transformation and call it the glow of awareness, a sheen that extends like a halo around the assemblage point. I'm going to make a statement which, in the understanding of sorcerers, is central to comprehending the scope of the recapitulation.

What we call the senses in organisms is nothing but degrees of awareness. If we accept that the senses are the dark sea of awareness, we have to admit that the interpretation that the senses make of sensory data is also the dark sea of awareness. To face the world around us in the terms that we do is the result of the interpretation system of mankind with which every human being is equipped. Every organism in existence has to have an interpretation system that permits it to function in its surrounding.

The old sorcerers saw that at the moment of death, the dark sea of awareness sucked in, so to speak, through the assemblage point, the awareness of living creatures. They also saw that the dark sea of awareness had a moment's, let's say, hesitation when it was faced with sorcerers who had done a recounting of their lives. Unbeknownst to them, some had done it so thoroughly that the dark sea of awareness took their awareness in the form of their life experiences, but didn't touch their life force. Sorcerers had found out a gigantic truth about the forces of the universe: the dark sea of awareness wants only our life experiences, not our life force.

Recapitulation is the act of calling back the energy we have already spent in past actions. To recapitulate entails recalling all the people we have met, all the places we have seen, and all the feelings we have had in our entire lives; starting from the present and going back to the earliest memories; then sweeping them clean, one by one, with the sweeping breath. Inhale through the nose as you turn your head to the left, and then exhale as you turn it to the right. Next, turn your head to the left and right in a single movement without breathing. This is a mysterious way of breathing and the key to the recapitulation, because inhaling allows us to pull back energy that we lost; while exhaling permits us to expel foreign, undesirable energy that has accumulated in us through interacting with our fellow men.

In order to live and interact, we need energy. Normally, the energy spent in living is gone forever from us. Were it not for the recapitulation, we would never have the chance to renew ourselves. Recapitulating our lives and sweeping our past with the sweeping breath work as a unit. Recalling everyone you have ever known and everything you have ever felt may seem like an absurd and impossible task that could take forever, but you have everything to gain by doing it, and nothing to lose. It's so important that I propose you make an agreement. I want you to write and sign a promissory voucher stating that you're going to try the recapitulation exercise for one month only. If, after a month, you don't notice any increase in energy, or any improvement in how you feel toward yourself or toward life in general, you will be free to drop it as an exercise.

When you recapitulate, try to feel some long stretchy fibers that extend out from your midsection, Then align the turning motion of your head with the movement of these elusive fibers. They are the conduits that will bring back the energy that you've left behind. In order to recuperate our strength and unity, we have to release our energy trapped in the world and pull it back to us. While recapitulating, we extend those stretchy fibers of energy across space and time to the persons, places and events we are examining. The result is that we can return to every moment of our lives and act as if we were actually there.

Although intellectually this may seem like an intriguing possibility, most of us have little intention of returning to a disagreeable past, even if only in the mind. We might even take pride in having escaped an unbearable life situation, so we are recoil at the idea of going back and mentally relive all the moments we have tried so hard to forget. And yet, this technique and it's purpose is utterly serious and sincere, so put your objections aside, and concentrate. The important point is to re-experience the events and feelings in as much detail as possible, and to touch them with the sweeping breath, thereby releasing one's trapped energy.

I am going give you some further instructions on how to proceed with recapitulation. You should begin making a list of all the people you have met, starting from the present and going back to my earliest memories. It is difficult, true, but not impossible, and it's a necessary part of recapitulation. The list forms a matrix for the mind to hook on to. Once they have that list, they take the first person on it and recollect everything they can about that person. And I mean everything, every detail. We must also start the recapitulation by first focussing our attention on our past sexual activity, because that's where the bulk of our energy is caught and that's why we must free those memories first. Begin making your list today. Divide it by years, by occupations, arrange it in any order you want to, but make it sequential, with the most recent person first, and end with Mommy and Daddy. And then, remember everything about them. No more ado than that. As you practice, you will realize what you're doing.

The recapitulation as a formal procedure was done in ancient times by recollecting every person the practitioners knew and every experience in which they had taken part. Making a written list of all the persons you've met in your life is a mnemonic device that propels memory into an inconceivable journey. It's better to recapitulate from the present to the past, because the memories of the present are fresh, and in this manner, the recollection ability is honed. Sorcerers' position in this respect is that remembering events that have just taken place prepares the ground for remembering events more distant in time with the same clarity and immediacy. To recollect experiences in this way is to relive them, and to draw from this recollection an extraordinary impetus that is capable of stirring energy dispersed from our centers of vitality, and returning it to them.

Once you've written that list, you must proceed to use it. Take the first person on the list, which goes backwards in time from the present to the time of your very first life experience, and set up, in your memory, your last interaction with that first person on my list. This act is called arranging the event to be recapitulated. The recapitulation as a formal procedure must begin by the recounting of events that have just taken place. In this fashion, the primacy of the experience takes precedence. Something that has just happened is something that one can remember with great accuracy. Sorcerers always count on the fact that human beings are capable of storing detailed information that they are not aware of, and that that detail is what the dark sea of awareness is after.

The initial stage of the recapitulation consists of two things. The first is the list, the second is setting up the scene, and setting up the scene consists of visualizing all the details pertinent to the events that one is going to recall. A detailed recollection of minutiae is required as the proper means to hone one's capacity to remember. This recollection entails getting all the pertinent physical details, such as the surroundings where the event being recollected took place. Once the event is arranged, one should enter into the locale itself, as if actually going into it, paying special attention to any relevant physical configurations. If, for instance, the interaction took place in an office, what should be remembered is the floor, the doors, the walls, the pictures, the windows, the desks, the objects on the desks, every­thing that could have been observed in a glance and then forgotten.

Once you have all the elements in place, use the sweeping breath. What practitioners do is to recollect and breathe. They inhale slowly and deliberately, fanning the head from right to left, in a barely noticeable swing, and exhale in the same fashion. The actual recapitulation of the event requires that one breathe deeply, fanning the head, so to speak, very slowly and gently from side to side. This fanning of the head was done as many times as needed, while remembering all the details accessible. The inhalations and exhalations should be natural; if they are too rapid, one enters into something called tiring breaths: breaths that require slower breathing afterward in order to calm down the muscles. The movement of your head is like a fan that stirs everything in that scene. Sorcerers talked about this act as breathing in all of one's own feelings spent in the event being recol­lected, and expelling all the unwanted moods and extraneous feelings that were left with us. Remember, intend to inhale the energy that you left in the scene you're recapitulating, and intend to exhale the extraneous energy thrust into you by others. If you're remembering a room, for example, breathe in the walls, the ceiling, the furniture, the people you see. And don't stop until you have absorbed every last bit of energy you left behind. Your body will tell you when you've had enough.

Recapitulation, according to what don Juan taught his disciples, was a technique discovered by the sorcerers of ancient Mexico, and used by every shaman practitioner from then on, to view and relive all the expe­riences of their lives, in order to achieve two transcendental goals: one, the abstract goal of fulfilling a universal code that demands that awareness must he relinquished at the moment of death; and two, the extremely pragmatic goal of acquiring perceptual fluidity.

He said that the formulation of their first goal was the result of observa­tions that those sorcerers made by means of their capacity to see energy directly as it flows in the universe. They had seen that there exists in the universe a gigantic force, an immense conglomerate of energy fields which they called the Eagle, or the dark sea of awareness. They observed that the dark sea of awareness is the force that lends awareness to all living beings, from viruses to men. They believed that it lends awareness to a newborn being, and that this being enhances that awareness by means of its life experiences until a moment in which the force demands its return.

In the understanding of those sorcerers, all living beings die because they are forced to return the awareness lent to them. Sorcerers throughout the ages have understood that there is no way for what modern man calls our linear mode of thinking to explain such a phenomenon, because there is no room for a cause?and?effect line of reasoning as to why and how awareness is lent and then taken back. The sorcerers of ancient Mexico viewed it as an energetic fact of the universe, a fact that can't be explained in terms of cause and effect, or in terms of a purpose which can be determined a priori.

The sorcerers of don Juan's lineage believed that to recapitulate meant to give the dark sea of awareness what it was seeking: their life experiences. They believed that by means of the recapitulation, however, they could acquire a degree of control that could permit them to separate their life experiences from their life force. For them, the two were not inextricably intertwined; they were joined only circumstantially.

Those sorcerers affirmed that the dark sea of awareness doesn't want to take the lives of human beings; it wants only their life experiences. Lack of discipline in human beings prevents them from separating the two forces, and in the end, they lose their lives, when it is meant that they lose only the force of their life experiences. Those sorcerers viewed the recapitulation as the procedure by which they could give the dark sea of awareness a substitute for their lives. They gave up their life experiences by recounting them, but they retained their life force. Man always loses by default. In the case of the premises of sorcery, man is missing a tremendous opportunity for the enhancement of his awareness, and that the way in which man relates himself to the universe, life, and awareness is only one of a multiplicity of options.

To recapitulate, for shaman practitioners, means to give to an incompre­hensible force - the dark sea of awareness - the very thing it seems to be looking for: their life experiences, that is to say, the awareness that they have enhanced through those very life experiences. All that sorcerers could aspire to do was to accomplish the feat of retaining their life force without knowing how it was done. He also said that there were thousands of sorcerers who had achieved this. They had retained their life force after they had given the dark sea of awareness the force of their life experiences. This meant to don Juan that those sorcerers didn't die in the usual sense in which we understand death, but that they transcended it by retaining their life force and vanishing from the face of the earth, embarked on a definitive journey of perception.

The belief of the shamans of don Juan's lineage was that when death takes place in this fashion, all of our being is turned into energy, a special kind of energy that retains the mark of our individuality. Don Juan tried to explain this in a metaphorical sense, saying that we are composed of a number of single nations: the nation of the lungs, the nation of the heart, the nation of the stomach, the nation of the kidneys, and so on. Each of these nations sometimes works independently of the others, but at the moment of death, all of them are unified into one single entity. The sorcerers of don Juan's lineage called this state total freedom. For those sorcerers, death is a unifier, and not an annihilator, as it is for the average man.

This is in no way immortality. It is merely the entrance into an evolutionary process, using the only medium for evolution that man has at his disposal: awareness. The sorcerers of Don Juan's lineage were convinced that man could not evolve biologically any further; there­fore, they considered man's awareness to be the only medium for evolu­tion. At the moment of dying, sorcerers are not annihilated by death, but are transformed into inorganic beings: beings that have awareness, but not an organism. To be transformed into an inorganic being was evolution for them, and it meant that a new, indescribable type of awareness was lent to them, an awareness that would last for veritably millions of years, but which would also someday have to be returned to the giver: the dark sea of awareness.

Don Juan described the second, the pragmatic goal of the recapitula­tion as the acquisition of fluidity. The sorcerers' rationale behind this had to do with one of the most elusive subjects of sorcery: the assemblage point, a point of intense luminosity the size of a tennis ball, perceivable when sorcerers see a human being as a conglomerate of energy fields. Sorcerers like don Juan see that trillions of energy fields in the form of fil­aments of light from the universe at large converge on the assemblage point and go through it. This confluence of filaments gives the assemblage point its brilliancy. The assemblage point makes it possible for a human being to per­ceive those trillions of energy filaments by turning them into sensorial data. The assemblage point then interprets this data as the world of everyday life, that is to say, in terms of human socialization and human potential.

To recapitulate is to relive every, or nearly every, experience that we have had, and in doing so to displace the assemblage point, ever so slightly or a great deal, propelling it by the force of memory to adopt the position that it had when the event being recapitulated took place. This act of going back and forth from previous positions to the current one gives the shaman practitioners the necessary fluidity to withstand extraordinary odds in their journeys into infinity. The recapitulation gives the necessary fluidity to withstand odds which are not in any way part of their habitual cognition.

Sorcerers believe that the mystery of the recapitulation lies in the act of inhaling and exhaling. Since breathing is a life?sustaining function, sor­cerers are certain that by means of it, one can also deliver to the dark sea of awareness the facsimile of one's life experiences. When I pressed don Juan for a rational explanation of this idea, his position was that things like the recapitulation could only be experienced, not explained. He said that in the act of doing, one can find liberation, and that to explain it was to dissipate our energy in fruitless efforts. His invitation was congruous with everything related to his knowledge: the invitation to take action. Sorcerers refer to this redeployment of energy that the recapitulation causes as gaining fluidity after giving the dark sea of awareness what it is looking for.

On a more mundane level, the recapitulation gives practitioners the capacity to examine the repetition in their lives. Recapitulating can con­vince them, beyond the shadow of a doubt, that all of us are at the mercy of forces which ultimately make no sense, although at first sight they seem perfectly reasonable; such as being at the mercy of courtship. It seems that for some people, courtship is the pursuit of a lifetime. I have personally heard from people of advanced age that the only ideal that they had was to find a perfect companion, and that their aspiration was to have perhaps one year of happiness in love.

Don Juan Matus used to say to me, over my vehement protests, that the problem was that nobody really wanted to love anybody, but that every one of us wanted to be loved. He said that this obsession with courtship, taken at face value, was the most natural thing in the world to us. To hear a seventy?five?year?old man or woman say that they are still in search of a perfect companion is an affirmation of something idealistic, romantic, beautiful. However, to examine this obsession in the context of the endless repetitions of a lifetime makes it appear as it really is: something grotesque.

Don Juan assured me that if any behavioural change is going to be accom­plished, it has to be done through the recapitulation, since it is the only vehi­cle that can enhance awareness by liberating one from the unvoiced demands of socialization, which are so automatic, so taken for granted, that they are not even noticed under normal conditions, much less examined. There is an enormous premium on time. For sorcerers in general, time is of the essence. The challenge I am faced with is that in a very compact unit of time I must cram into you everything there is to know about sorcery as an abstract proposition, but in order to do that I have to build the necessary space in you. The premise of sorcerers is that in order to bring something in, there must be a space to put it in. If you are filled to the brim with the items of everyday life, there's no space for anything new. That space must be built. Do you see what I mean? The sorcerers of olden times believed that the recapitulation of your life made the space. It does, and much more, of course.

The actual act of recapitulating is a lifetime endeavour. It takes years to exhaust the list of people, especially for those who have made the acquaintance of and have interacted with thousands of individuals. This list is augmented by the memory of impersonal events in which no people are involved, but which have to be examined because they are somehow related to the person being recapitulated. Don Juan asserted that what the sorcerers of ancient Mexico sought avidly in recapitulating was the memory of interaction, because in interactions lie the deep effects of socialization, which they struggled to over­come by any means available.

The power of the recapitulation is that it stirs up all the garbage of our lives and brings it to the surface Sorcerers believe that as we recapitulate our lives, all the debris, as I told you, comes to the surface. We realize our inconsistencies, our repetitions, but something is us puts up a tremendous resistance to recapitulating. Sorcerers say that the road is free only after a gigantic upheaval, after the appearance on our screen of the memory of an event that shakes our foundations with its terrifying clarity of detail. It's the event that drags us to the actual moment that we lived it. Sorcerers call that event the usher, because from then on every event we touch on is relived, not merely remembered.

Walking is always something that precipitates memories. The sorcerers of ancient Mexico believed that everything we live we store as a sensation on the backs of the legs. They considered the backs of the legs to be the warehouse of man's personal history. Walking will have you ready to begin this sorcerers' maneuver of finding an usher: an event in your life that you will remember with such clarity that it will serve as a spotlight to illuminate everything else in your recapitulation with the same, or comparable, clarity. Do what sorcerers call recapitulating pieces of a puzzle. Something will lead you to remember the event that will serve as your usher. Give it your best shot; do your best.

To recount events is magical for sorcerers. It isn't just telling stories. It is seeing the underlying fabric of events. This is the reason recounting is so important and vast.

Warrior-travelers roll with the punches. They go wherever the impulse may take them. The power of warrior-travelers is to be alert, to get maximum effect from minimal impulse. And above all, their power lies in not interfering. Events have a force, a gravity of their own, and travelers are just travelers. Everything around them is for their eyes alone. In this fashion, travelers construct the meaning of every situation, without ever asking how it happened this way or that way.

Today, you may remember an event that sums up your total life. We are always faced with a situation that is the same as one that we never resolved. Infinity always puts us in this terrible position of having to choose. We want infinity, but at the same time, we want to run away from it. You want to tell me to go and jump in a lake, but at the same time you are compelled to stay. It would be infinitely easier for you to just be compelled to stay.

Something in you will begin to collapse for sure. It has been collapsing all along, but it repairs itself very quickly every time its supports fail. I've told you already, we have two minds, and only one of them is truly ours. There is a secret option to the recapitulation. Just like I told you that there is a secret option to dying, an option that only sorcerers take. In the case of dying, the secret option is that human beings could retain their life force and relinquish only their awareness, the product of their lives. In the case of the recapitulation, the secret option that only sorcerers take is to choose to enhance their true minds.

Any haunting memory of your recollections can come only from your true mind. The other mind that we all have and share is, I would say, a cheap model: economy strength, one size fits all. But this is a subject that we will discuss later. What is at stake now is the advent of a disintegrating force. But not a force that is disintegrating you- I don't mean it that way. It is disintegrating what the sorcerers call the foreign installation, which exists in you and in every other human being. The effect of the force that is descending on you, which is disintegrating the foreign installation, is that it pulls sorcerers out of their syntax.

I know how difficult it is for you to deal with this facet of your life. Every sorcerer that I know has gone through it. The males going through it suffer infinitely more damage than the females. I suppose it's the condition of women to be more durable. The sorcerers of ancient Mexico acting as a group, tried their best to buttress the impact of this disintegrating force. In our day, we have no means of acting as a group so we must brace ourselves to face in solitude a force that will sweep us away from language, for there is no way to describe adequately what is going on.

Sorcerers face the unknown in the most common incidents one can imagine. When they are confronted with it, and cannot interpret what they are perceiving, they have to rely on an outside source for direction. I've called that source infinity, or the voice of the spirit. If sorcerers don't try to be rational about what can't be rationalized, the spirit unerringly tells them what's what.

Infinity is a force that has a voice and is conscious of itself. Consequently, I have prepared you to be ready to listen to that voice and act efficiently always, but without antecedents, using as little as possible the railings of pre-defined ideas.

Infinity is a conscious force that deliberately intervenes in the lives of sorcerers. You will seek explanations with linear cause and effect. Each of your recollections will become more and more vivid, more and more maddening to you, because as I told you already, you have entered an irreversible process. Your true mind is emerging, waking up from a state of lifelong lethargy.

Infinity is claiming you. Whatever means it uses to point that out to you cannot have any other reason, any other cause, any other value than that. What you should do, however, is to be prepared for the onslaughts of infinity. You must be in a state of continuously bracing yourself for a blow of tremendous magnitude. That is the sane, sober way in which sorcerers face infinity.

Everything you do has to be an act of sorcery. An act free from encroaching expectations, fears of failure, hopes of success. Free from the cult of me; everything you do has to be impromptu, a work of magic where you freely open yourself to the impulses of the infinite.

The sorcerers of my lineage considered that one of the most coveted results of inner silence is a specific interplay of energy, which is always heralded by a strong emotion. Such an interplay manifests itself in terms of hues that are projected on any horizon in the world of everyday life, be it a mountain, the sky, a wall, or simply the palms of the hands. This interplay of hues begins with the appearance of a tenuous brushstroke of lavender on the horizon. In time, this lavender brushstroke starts to expand until it covers the visible horizon, like advancing storm clouds.

A dot of a peculiar, rich, pomegranate red shows up, as if bursting from the lavender clouds. As sorcerers become more disciplined and experienced, the dot of pomegranate expands and finally explodes into thoughts or visions, or in the case of a literate man, into written words; sorcerers either see visions engendered by energy, hear thoughts being voiced as words, or read written words.

There's nothing gentle about sorcerers or sorcery. The first time that infinity descends on you it may be a total takeover of your faculties. Insofar as the speed of your visions is concerned, you yourself will have to learn to adjust it. For some sorcerers, that's the job of a lifetime. Energy may appear to you as if it were being projected onto a movie screen. Whether or not you understand what's projected is another matter. In order to make an accurate interpretation you need experience. My recommendation is that you shouldn't be bashful, and you should begin now. Your true mind is emerging, and it has nothing to do with the mind that is a foreign installation. Let your true mind adjust the speed. Be silent, and don't fret, no matter what happens.

Anyway, infinity chooses. The warrior-traveler simply acquiesces to that choice. But above all, don't be overwhelmed by the event because you cannot describe it. It is an event beyond the syntax of our language.


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Table of Contents

Thursday, April 8th, 2010

PART ONE

The Fight for Freedom
The Eagle's Gift
The Path of Knowledge
A Path with a Heart
The Warrior's Secret
The Four Natural Enemies

Becoming a Warrior
Erasing Personal History
Losing Self-Importance
Death as an Advisor
Assuming Responsibility
Your Last Battle is Now

Learned Reality
First Ring of Power
Second Ring of Power
The Internal Dialogue
Inner Silence
"Seeing"
The World

The Way of the Warrior
Having to Believe
Controlled Folly
Impeccability
Unbending Intent

The Sorceror's Explanation
The Tonal
The Nagual
Treating the Tonal
Cleaning the Tonal
The Façade of Self-Pity
The Human Form

Hunting For Power
Setting Up Dreaming
Gazing
Not-Doing
Recapitulation

PART TWO (coming soon)
Will cover such main topics as the mastery of awareness, the assemblage point, commanding intent, the inorganic beings or allies, the wheel of time, and more…

PART THREE (planned)
The Art of Dreaming
The Art of Hunting

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Sales Is Hard WorkNegotiation, Deals and Contracts..The Pivot of the Three RingsHacienda considera al Rey Don Juan Carlos “como un contribuyente más”Awareness, Intent, EvolutionThe First Casualty: War and the Rape of TruthAwareness as identityPersonal Power Through Awareness: A Guidebook for Sensitive People (Book II of the Earth Life Series)Castañeda and GurdieffCarlos Castaneda and Drugs

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