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Posts Tagged ‘nagual’

The Missing Chapter of Eagle's Gift

Friday, May 10th, 2013

(I recently came across this online and decided to post it here in it's entirety.)

This is a translation of The Six Explanatory Propositions which were included in the Spanish language version of the Eagle's Gift but were never published in the English versions of the book.

"In spite of the amazing maneuvers that don Juan did with my awareness, along the years I stubbornly insisted in trying to intellectually evaluate what he did. Although I have written at length about these maneuvers, it has always been from a strictly experiential point of view and, besides, from a strictly rational perspective.

Immersed as I was in my own rationality, I couldn't recognize the goals of the teachings of Don Juan. To understand the stretch of these goals with a certain degree of precision, it was necessary that I lost my human form and arrived to the totality of myself.

The teachings of Don Juan were meant to guide me through the second stage of a warrior's development: the verification and unrestricted acceptance that within us lies another type of awareness. This stage was divided into two categories. The first one, for which Don Juan required Don Genaro's help, dealt with two activities. It consisted of showing me certain procedures, actions and methods that were designed to exercise my awareness. The second one had to do with the six explanatory propositions.

Due to the difficulties that I had in adapting my rationality in order to accept the plausibility of what he was teaching me, Don Juan presented these explanatory propositions in terms of my scholastic records. The first thing he did, as an introduction, was to create a division in myself by means of a specific blow on the right shoulder blade, a blow which made me enter an unusual state of awareness, which I couldn't recall once I was back to normality.

Until the moment in which Don Juan made me enter such state of awareness, I had an undeniable sense of continuity, which I thought of as a product of my vital experience. The idea that I had about myself was that of being a full entity that could explain everything it had done.

Besides, I was convinced that the dwelling of all my awareness, if there was such, was in my head. However, Don Juan showed me with his blow that it exists a center in the spinal cord, at the height of the shoulder blades, that is obviously a center of enhanced awareness.

When I questioned Don Juan about the nature of this blow, he explained that the nagual is a director, a guide who bears the responsibility of opening the way, and that he must be impeccable to impregnate his warriors with a sense of confidence and clarity. Only under these conditions is a nagual in the possibility of giving this blow on the back to force a displacement of awareness, because the power of the nagual is what allows the transition. If the nagual is not an impeccable practitioner, the displacement doesn't occur, as when I tried, unsuccessfully, to put the other apprentices in a state of heightened awareness hitting them on the back before we ventured into the bridge.

I asked Don Juan what this displacement of awareness implied. He said that the nagual has to strike on a precise spot, which varies from person to person but which is always located in the general area of the shoulder blades. A nagual has to see to specify the spot, which is located in the periphery of one's luminosity and not on the physical body itself; once the nagual identifies it, he pushes it in, more that striking it, and thus creates a concavity, a depression in the luminous shield. The state of heightened awareness resulting from this blow lasts as much as this depression lasts. Some luminous shields go back to their original forms by themselves, some have to be struck in another point to be restored, and some others never go back to their oval shapes.

Don Juan said that seers see awareness as a peculiar glow. Everyday awareness is a glow on the right side, which extends from the physical body's exterior to the periphery of our luminosity. Heightened awareness is a more intense shine associated with great speed and concentration, a fulgor which saturates the periphery of the left side.

Don Juan said that seers explain what happens with the blow of the nagual as a temporal dislodging of a center located in the luminous cocoon of the body. The Eagle's emanations are in reality evaluated and selected in that center. The blow alters their normal behavior.

Through their observations, seers have reached the conclusion that warriors must be put in that state of disorientation. The change in the way awareness works under these conditions makes this state an ideal territory to dillucidate the commands of the Eagle: it allows warriors to function as if they were in everyday awareness, with the difference that they can concentrate in everything they do with unprecedented clarity and strength.

Don Juan said that my situation was analogous to the one he had experienced. His benefactor created a deep division in himself, making him move once and once again from the awareness of the right side to the awareness of the left side. The clarity and freedom of his left side awareness were in direct opposition to the rationalizations and endless defenses of his right side. He told me that all warriors are cast into the depths of the same situation that polarity molds, and that the nagual creates and reinforces the division to be able to lead his apprentices to the conviction that there is an awareness in human beings yet unexplored.

1. What we perceive as the world are the Eagle's emanations.

Don Juan explained to me that the world we perceive does not have a transcendental existence. Since we are familiarized with it we believe that what we perceive is a world of objects which exist such as we perceive them, when in reality there is not a world of objects, but, rather, a universe of Eagle's emanations.

These emanations represent the only immutable reality. It is a reality that encompasses all that is, perceivable and unperceivable, knowable and unknowable.

Seers who see the Eagle's emanations call them commands because of their urging force. All living creatures are urged to use the emanations, and they use them without getting to know what they are. Ordinary men interpret them as reality. And seers who see the emanations interpret them as the rule.

Despite the fact that seers see the emanations, they don't have a way of knowing what it is they are seeing. Instead of entangling themselves with useless conjectures, seers occupy themselves in the functional speculation of how the Eagle's commands can be interpreted. Don Juan sustained that to intuit a reality which transcends the world we perceive stays at the level of conjecture; it is not enough for a warrior to conjecture that the Eagle's commands are instantly perceived by all creatures that live on Earth, and that none of them perceives them in the same way. Warriors must try to behold the flow of emanations and "see" the way in which man and other living beings use it to build their perceptual world.

When I proposed to use the word "description" instead of Eagles's emanations, Don Juan said that he was not making a metaphor. He said that the word "description" connotes a human agreement, and that what we perceive stems from a command in which human agreements do not count.

2. Attention is what makes us perceive the Eagle's emanations as the action of skimming.

Don Juan used to say that perception is a physical faculty that living creatures groom; the final result of this grooming is known, among seers, as "attention". Don Juan described attention as the action of hooking and channeling perception. He said that this action is our most singular feat, which covers all the spectrum of human alternatives and possibilities. Don Juan established a precise distinction between alternatives and possibilities. Human alternatives are those that we are enabled to choose as persons who function within the social environment. Our landscape of this dominion is quite limited. Human possibilities are those that we are capable of achieving as luminous beings.

Don Juan revealed to me a classificatory scheme of three types of attention, emphasizing that calling them "types" was erroneous. In fact, they are three levels of knowledge: first, second and third attention; each one of them an independent dominion, complete in itself.

For a warrior that is in the initial stages of his learning, the first attention is the most important of the three. Don Juan said that his explanatory propositions were attempts to bring into first frame the way in which the first attention works, something that passes completely unadverted to us. He considered imperative for warriors to understand the nature of the first attention if they were going to venture into the other two. He explained to me that the first attention has been taught how to move instantly through a whole spectrum of the Eagle's emanations, without emphasizing at all that fact, in order to reach "perceptual units" which all of us have learned that are perceivable. Seers call this feat "skimming", because it implies the capability of suppressing those emanations which are superfluous and selecting which of them must be emphasized.

Don Juan explained this process taking as an example the mountain that we were seeing at that moment. He stressed that my first attention, at the moment of seeing the mountain, had skimmed an infinite number of emanations to obtain a miracle of perception; a skimming that all human beings know because each one of them has attained it by himself.

Seers contend that everything the first attention suppresses to obtain a skimming, cannot be recovered anymore by the first attention under any condition. Once we learn to perceive in terms of skimmings, our senses stop registering the superfluous emanations. To dillucidate this point he gave me the example of the skimming: "human body". He said that our first attention is totally unconscious of the emanations that compose the external luminous shield of the physical body. Our oval cocoon is not subjected to perception; those emanations have been rejected which would make it perceivable in benefit of those which allow the first attention to perceive the physical body such as we know it. Therefore, the perceptual goal that children must achieve as they grow up consists in learning to isolate the appropriate emanations to be able to channel their chaotic perception and transform it into the first attention; in doing so, they learn how to build skimmings. All grown up human beings who surround children teach them how to skim. Sooner or later, children learn to control their first attention in order to perceive skimmings in terms which are alike to those of their teachers.

Don Juan never ceased to be amazed at the capability of human beings to bring order into the chaos of perception. He ontended that all of us, by his/her own merits, is a magistral magician and that our magic consists in rendering reality to the skimmings that our first attention has learned how to build. The fact that we perceive in terms of skimmings is the Eagle's command, but to perceive the commands as objects is our power, our magical gift. Our fallacy, on the other hand, is that we always end up being one-sided when forgetting that skimmings are only real in terms that we perceive them as real, due to the power that we have to do it. Don Juan called this an error in judgment which destroys the richness of our mysterious origins.

3. The skimmings are made sense of by the first ring of power.

Don Juan used to say that the first ring of power is the force that stems from the Eagle's emanations to affect exclusively our first attention. He explained that it has been represented as a "ring" because of its dynamism, of its uninterrupted movement. It has been called ring "of power" due to, first, its compulsive character, and, second, because of its unique ability to stop its works, to change them or reverse their direction.

The compulsive character is better shown in the fact that it doesn't only urge the first attention to build and perpetuate skimmings, but it also demands a consensus from all the participants. Each one of us is demanded a complete agreement upon the faithful reproduction of skimmings, since conformity to the first ring of power must be total.

It is precisely this conformity which gives us the certainty that skimmings are objects which exist as such, independent from our perception. Besides, the compulsiveness of the first ring of power does not cease after the initial agreement, but it demands that we continuously renovate the agreement. Our whole life we must operate as if, for example, each one of our skimmings was perceptually the first one for each human being, in spite of languages and cultures. Don Juan granted that even if all this is too serious to be taken jokingly, the urging character of the first ring of power is so intense that forces us to believe that if the "mountain" could have an awareness of its own, it would consider itself as the skimming that we have learned how to build.

The most valuable feature that the first ring of power bears to a warrior is the singular capability of interrupting its flux of energy, or to totally suspend it. Don Juan said that this is a latent capability which exists within us all as a backup unit. In our narrow world of skimmings, there is no need to use it. Since we are so efficiently buttressed and shielded by the net of the first attention, we do not realize, not even vaguely, that we have hidden resources. However, if another alternative to follow would present itself to us, such as is the warrior's option to use the second attention, the latent capability of the first ring of power could start to function and could be used with spectacular results.

Don Juan underlined that the biggest feat of sorcerers is the process of activating this latent capability; he called it blocking the intent of the first ring of power. He explained to me that the Eagle's emanations, which have already been isolated by the first attention in order to build the everyday world, exert an unbending pressure upon the first attention. For this pressure to stop its activity, the intent must be displaced. Seers call this an obstruction or an interruption of the first ring of power.

4. Intent is the force that moves the first ring of power.

Don Juan explained to me that intent doesn't refer to have an intention, or to want one thing or the other, but rather has to do with an imponderable force that makes us behave in ways which could be described as intentions, wishing, volition, etc. Don Juan didn't bring it forth as a condition of being, stemming from oneself, such as is a habit produced by socialization, or a biological reaction, but rather brought it forth as a private, intimate force that we possess and use individually as a key that makes the first ring of power move in acceptable ways.

Intent is what directs our first attention in order for it to focus on the Eagle's emanations within a certain frame. And intent is also what commands the first ring of power to obstruct or interrupt its flux of energy.

Don Juan suggested me to conceive intent as an invisible force which exists in the universe, without receiving itself, but still affecting everything: the force that creates and sustains skimmings. He asserted that skimmings must be incessantly recreated to be imbued with continuity. In order to recreate them each time with the freshness that they need to build a living world, we must intend them each time we build them. For instance, we must intend the "mountain" along with all its complexities for the skimming to be fully materialized.

Don Juan said that, for a spectator, who behaves exclusively based upon the first attention without the intervention of intent, the "mountain" would appear as an entirely different skimming. It could appear as the skimming "geometric form" or "amorphous spot of color". For the skimming mountain to be completed, the spectator must intend it, whether it is unconsciously through the urging force of the first ring of power, or premeditatedly, through the warrior's training. Don Juan pointed to me the three ways in which intent comes to us. The most predominating one is known by seers as "the intent of the first ring of power". This is a blind intent which comes to us by chance. It is as if we were in its way, or as if intent was in ours. Inevitably we find ourselves trapped in its net without having the least control of what is happening to us.

The second way is when intent comes to us by its own. This requires a considerable amount of purpose, a sense of determination on our part. Only in our capability as warriors we can put ourselves voluntarily in the way of intent; we summon it, so to speak. Don Juan explained to me that his insistence in being an impeccable warrior was nothing more than an effort to let intent know that he is putting himself in its way.

Don Juan used to say that warriors call this phenomenon "power". Thus when they speak of having personal power, they are referring to the intent that comes to them voluntarily. The outcome, he used to say to me, can be described as the facility to find new solutions, or the facility to affect people or events. It is as if other possibilities, previously unknown by the warrior, suddenly become apparent. In this way, an impeccable warrior never plans anything ahead, but his actions are so decisive that it seems as if the warrior had calculated beforehand each facet of his activity. The third way in which we find intent is the most rare and complex of the three; it occurs when intent allows us to harmonize with it. Don Juan described this state as the real moment of power: the culmination of a lifetime effort in search of impeccability. Only supreme warriors obtain it, and as long as they are in such state, intent lets itself be handled by them at will. It is as if intent had fused in those warriors, and in doing so it transforms them into a pure force, without preconceptions. Seers call this state the "intent of the second ring of power", or "will".

5. The first ring of power can be stopped by a functional blocking of the capability of building skimmings.

Don Juan used to say that the function of the not-doings is to create an obstruction in the usual focus of out first attention. The notdoings are, in this sense, maneuvers destined to prepare the first attention for the functional blocking of the first ring of power, or, in other words, for the interruption of intent.

Don Juan explained to me that this functional blocking, which is the only method to systematically use the latent capability of the first ring of power, represents a temporal interruption that the benefactor creates in the disciple's capability for building skimmings. It is a premeditated and powerful artificial intrusion into the first attention, in order to push it beyond the appearances which the known skimmings present to us; this intrusion is accomplished by interrupting the intent of the first ring of power.

Don Juan used to say that in order to achieve this interruption, the benefactor treats intent as what it really is, a flux, a current of energy that can eventually be stopped or reoriented. An interruption of this nature, however, implies a commotion of such magnitude that can orce the first ring of power to stop fully; a situation which is impossible to conceive under our normal life conditions. It is unthinkable to us that we can un-walk the steps we took when we consolidated our perception, but it is feasible that under the impact of this interruption we could place ourselves in a perceptual position very similar to the one of our beginnings, when the Eagle's commands were emanations which we still had not imbued with significance.

Don Juan used to say that any procedure the benefactor could use to create this interruption must be intimately linked with his personal power. Therefore, a benefactor doesn't use any process to handle intent, but rather moves it and makes it available to the apprentice trough his personal power. In my case, Don Juan achieved the functional blocking of the first ring of power through a complex process, which combined three methods: the ingestion of hallucinogenic plants, manipulation of the body and maneuvering with intent itself.

In the beginning Don Juan relied strongly upon the ingestion of hallucinogenic plants, apparently due to the persistence of my rational side. The effect was tremendous, and yet retarded the sought for interruption. The fact that the plants were hallucinogenic offered my reason the perfect justification to congregate all of its available resources to continue exerting control. I was convinced that I could logically explain anything that I was experiencing, along with the inconceivable feats that Don Juan and Don Genaro used to do to create the interruptions, as perceptual distortions caused by the ingestion of hallucinogenics.

Don Juan used to say that the most remarkable effect of hallucinogenic plants was something that every time I ingested them I interpreted as the peculiar feeling that everything around me oozed a surprising richness. There were colors, forms, details that I had never beheld before. Don Juan used this increment in my ability to perceive, and, through a series of commands and comments used to force me to enter a state of nervous restlessness.

Afterwards he manipulated my body and made me shift from one side of awareness to the other, until I had created phantasmagorical visions or absolutely real scenes with tridimensional creatures that could not possibly exist in this world.

Don Juan explained to me that once the direct relation between intent and the skimmings we are constructing is broken, it cannot ever be repaired. From that moment on we acquire the ability to catch a current of what he described as "phantom intent", or the intent of the skimmings which are not present at the moment or place of the interruption, this is to say, an intent put at our disposal through some aspect of memory.

Don Juan asserted that with the interruption of the intent of the first ring of power we become receptive and moldable; a nagual can then introduce the intent of the second ring of power. Don Juan was convinced that children of a certain age find themselves in a similar situation of receptivity; being deprived of intent, they are ready to be imprinted with any intent which is available to the teachers who surround them.

After my period of continious ingestion of hallucinogenic plants, Don Juan totally discontinuated its use. However, he obtained new and more dramatic interruptions in myself manipulating my body and making me shift states of awareness, combining all this with maneuvers with intent itself. Through a combination of mesmerizing instructions and adequate comments, Don Juan created a current of "phantom intent" and I was lead to experience common skimmings as something unimaginable. He conceptualized all this as "glancing into the immensity of the Eagle".

Don Juan masterfully lead me through countless interruptions of intent until he was convinced, as a seer, that my body showed the effects of the functional blocking of the first ring of power. He said that he could see a unusual activity around the area of the shoulder blades. He described it as a little hole that had formed exactly as if the luminosity was a muscular layer contracted by a nerve.

To me, the effect of the functional blocking of the first ring of power was that it managed to erase the certainty which I had all my life that what my senses reported was "real". Quietly I entered a state of inner silence. Don Juan used to say that what gives warriors that extreme uncertainty that his benefactor had experienced at the end of his life, that resignation to failure that he himself was living, is the fact that one glance into the immensity of the Eagle leaves one without hope. Hope is the result of our familiarity with skimmings and the idea that we control them. In such moments only the warrior's life can help us to persevere in our efforts to discover that which the Eagle has concealed from us, but without hope that we can get to understand what we discover.

6. The second attention.

Don Juan explained to me that the examination of the second attention must begin with the realization that the force of the first ring of power, which boxes us in, is a physical, concrete edge. Seers have described it as a wall of fog, a barrier that can be systematically brought to our awareness by means of the blocking of the first ring of power; and then can be perforated by means of the warrior's training.

After perforating this wall of fog, one enters a broad intermediate state. The task of the warriors then consists in going through it until they reach the next divisory line, which must be perforated in order to enter what it is properly the other self or the second attention.

Don Juan used to say that the two divisory lines are perfectly recognizable. When warriors perforate the wall of fog they feel that their bodies are squeezed, or they feel an intense shaking in the cavity of their bodies, generally to the right of the stomach or through the middle part, from right to left. When warriors perforate the second line, they feel an acute crack on the upper part of the body, something like the sound of a dry bough that is broken in two.

The two lines that box in both attentions, and individually seal them, are known to seers as the parallel lines. These seal both attentions by means of the fact that they extend into infinity, without ever allowing the crossing unless they are perforated.

Between both lines there exists an area of specific awareness that seers call limbo, or the world between the parallel lines. It is a real space between two huge orders of the Eagle's emanations; emanations which are within the human possibilities of awareness. One is the level which creates the self of everyday life, and the other is the level which creates the other self. Since the limbo is a transitional zone, there both fields of emanations extend one upon the other. The fraction of the level which is known to us, that extends into that area, hooks a portion of the first ring of power; and the capability of the first ring of power to build skimmings makes us perceive a series of skimmings in the limbo which are almost as those of everyday life, except that they appear grotesque, uncanny and contorted. In this manner the limbo has specific features that do not change arbitrarily each time that one goes into it. There exist in it physical features which resemble the skimmings of everyday life.

Don Juan sustained that the feeling of heaviness experienced in the limbo is due to the growing burden that has been placed on the first attention. In the area located right behind the wall of fog we can still behave as we do normally; it is as if we were in a grotesque but recognizable world. As we penetrate further into it, beyond the wall of fog, it becomes progressively difficult to recognize the features or to behave in terms of the known self. He explained to me that it was possible to make that instead of the wall of fog anything else appeared, but that seers have opted for accentuating that which consumes less energy: to visualize the wall of fog does not demand any effort.

What exists beyond the second divisory line is known by seers as the second attention, or the other self, or the parallel world; and the action of going through both edges is known as "crossing the parallel lines". Don Juan thought that I could assimilate this concept more firmly if he described each dominion of awareness as a specific perceptual predisposition.

He told me that in the territory of everyday awareness we are inescapably entangled into the specific perceptual predisposition of the first attention. From the moment in which the first ring of power begins to build skimmings, the way of building them becomes our normal perceptual predisposition. Breaking the unifying force of the first attention implies to break the first divisory line. The normal perceptual predisposition passes then into the intermediate area which is between the parallel lines. One keeps building almost normal skimmings for some time. But as one approaches what seers call the second divisory line, the perceptual predisposition of the first attention begins to recede, it loses strength. Don Juan used to say that this transition is marked by a sudden incapability of remembering or understanding what one is doing.

When one gets closer to the second divisory line, the second attention begins to act on the warriors who undertake the voyage. If they are inexperienced, their awareness gets emptied, it goes blank. Don Juan held that this occurs because they are approaching a spectrum of the Eagle's emanations which has not yet a systematized perceptual predisposition. My experiences with la Gorda and the nagual woman beyond the wall of fog were an example of this incapability. I traveled as far as the other self, but I couldn't account on what we had done for the simple reason that my second attention was still unformulated and it did not give me the opportunity of formulating all I had perceived.

Don Juan explained to me that one begins to activate the second ring of power by forcing the second attention to wake from its slumber. The functional blocking of the first ring of power achieves this. Then, the task of the teacher consists in recreating the condition which started the first ring of power, the condition of being saturated with intent. The first ring of power is put in motion by the force of the intent given by those who teach how to skim. As my teacher he was giving me, then, a new intent which would create a new perceptual environment.

Don Juan said that it takes a lifetime of unceasing discipline, which seers call unbending intent, to prepare the second ring of power to be able to build skimmings which belong to another level of the Eagle's emanations. To dominate the perceptual predisposition of the parallel self is a feat of peerless value which few warriors achieve. Silvio Manuel was one of those few.

Don Juan warned me that one must not attempt to deliberately dominate it. If this happens, it must be through a natural process which unfolds itself without much effort from our part. He explained to me that the reason for this indifference lies on the practical consideration that when it is dominated it simply becomes very difficult to break, since the goal that warriors actively pursuit is to break both perceptual predispositions to enter the final freedom of the third attention.

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The Façade of Self-Pity

Thursday, April 8th, 2010

By now there is no way for you to recollect the immense effort that you needed to establish self-pity as a feature of your island. Self-pity bore witness to everything you did. It was just at your fingertips, ready to advise you. Death is considered by a warrior to be a more amenable adviser, which can also be brought to bear witness on everything one does, just like self-pity, or wrath. Obviously, after an untold struggle you have learned to feel sorry for yourself. But you can also learn, in the same way, to feel your impending end, and thus you can learn to have the idea of your death at your fingertips. As an adviser, self-pity is nothing in comparison to death.

There is seemingly a contradiction in the idea of change; on the one hand, the sorcerers' world calls for a drastic transformation, and on the other, the sorcerers' explanation says that the island of the tonal is complete and not a single element of it can be removed. Change, then, does not mean obliterating anything but rather altering the use assigned to those elements.

Take self-pity for instance. There is no way to get rid of it for good; it has a definite place and character in your island, a definite façade which is recognizable. Thus, every time the occasion arises, self-pity becomes active. It has history. If you then change the façade of self-pity, you would have shifted its place of prominence.

One changes the façade by altering the use of the elements of the island. Take self-pity again. It is useful to you because you either feel important and deserving of better conditions, better treatment, or because you are unwilling to assume responsibility for the acts that brought you to the state that elicited self-pity, or because you are incapable of bringing the idea of your impending death to witness your acts and advise you.

Erasing personal history and its three companion techniques are the sorcerers' means for changing the façade of the elements of the island. For instance, by erasing your personal history, you deny use to self-pity; in order for self-pity to work you have to feel important, irresponsible, and immortal. When those feelings are altered in some way, it is no longer possible for you to feel sorry for yourself.

Your self-pity will still be a feature of your island; it will be there in the back in the same way that the idea of your impending death, or your humbleness, or your responsibility for your acts has been there, without ever being used. Once all those techniques have been presented, the apprentice arrives at a crossroad. Depending on his sensibility, the apprentice does one of two things. He either takes the recommendations and suggestions made by his teacher at their face value, acting without expecting rewards; or he takes everything as a joke or an aberration.

If you use those four techniques to clear and reorder your island of the tonal they lead you to the nagual. Power provides according to your impeccability. If you seriously use those four techniques, you will store enough personal power, you will be impeccable, and power will open all the necessary avenues. That is the rule.

As I've told you, the tonal and the nagual are two different worlds. In one you talk, in the other you act. At first all of us secretly do not want the world of the nagual. We are afraid and have second thoughts. Our unbending intent and our impeccability gets us through that.


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Cleaning the Tonal

Thursday, April 8th, 2010

Everything that I've done with you was done to accomplish one single task, the task of cleaning and reordering your island of the tonal. I've told you countless times that a most drastic change is needed if you want to succeed in the path of knowledge. That change is not a change of mood, or attitude, or outlook; that change entails the transformation of the island of the tonal.

Once that transformation has been accomplished a teacher would usually say to his disciple that he has arrived at a final crossroad. To say such a thing is misleading, though. In my opinion there is no final crossroad, no final step to anything. And since there is no final step to anything, there shouldn't be any secrecy about any part of our lot as luminous beings. Personal power decides who can or who cannot profit by a revelation; my experiences with my fellow men have proven to me that very, very few of them would be willing to listen; and of those few who listen even fewer would be willing to act on what they have listened to; and of those who are willing to act even fewer have enough personal power to profit by their acts. So, the matter of secrecy about the sorcerers' explanation boils down to a routine, perhaps a routine as empty as any other routine.

At any rate, you know now about the tonal and the nagual, which are the core of the sorcerers' explanation. To know about them seems to be quite harmless. We are talking innocently about them as if they were just an ordinary topic of conversation. But before we venture beyond this point a fair warning is required; a teacher is supposed to speak in earnest terms and warn his disciple that the harmlessness and placidity of this moment are a mirage, that there is a bottomless abyss in front of him, and that once the door opens there is no way to close it again.

The years of hard training are only a preparation for the warrior's devastating encounter with whatever lies out there, beyond this point. What will happen in that encounter depends on whether or not you have enough personal power to focus your unwavering attention on the wings of your perception, so let's review what we've done.

The first act of a teacher is to introduce the idea that the world we think we see is only a view, a description of the world. Accepting that seems to be one of the hardest things one can do; we are complacently caught in our particular view of the world, which compels us to feel and act as if we know everything about the world. A teacher, from the very first act he performs, aims at stopping that view. Sorcerers call it stopping the internal dialogue, and they are convinced that it is the single most important technique that an apprentice can learn.

In order to stop the view of the world which one has held since the cradle, it is not enough to just wish or make a resolution. One needs a practical task; that practical task is called the right way of walking. It seems harmless and nonsensical. As everything else which has power in itself or by itself, the right way of walking does not attract attention.

Walking in that specific manner saturates the tonal, it floods it. You see, the attention of the tonal has to be placed on its creations. In fact, it is that attention that creates the order of the world in the first place; so, the tonal must be attentive to the elements of its world in order to maintain it, and must, above all, uphold the view of the world as internal dialogue.

The right way of walking is a subterfuge. The warrior, first by curling his fingers, draws attention to the arms; and then by looking fixedly, without focusing his eyes, at any point directly in front of him on the arc that starts at the tip of his feet and ends above the horizon, literally floods his tonal with information. The tonal, without its one-to-one relation with the elements of its description, is incapable of talking to itself, and thus one becomes silent.

The position of the fingers does not matter at all. The only consideration is to draw attention to the arms by clasping the fingers in various unaccustomed ways. The important thing is the manner in which the eyes, by being kept unfocused, detect an enormous number of features of the world without being clear about them. The eyes in that state are capable of picking out details which are too fleeting for normal vision.

Together with the right way of walking, a teacher must teach his apprentice another possibility, which is even more subtle: the possibility of acting without believing, without expecting rewards - acting just for the hell of it. I wouldn't be exaggerating if I told you that the success of a teacher's enterprise depends on how well and how harmoniously he guides his apprentice in this specific respect.

We function at the center of reason exclusively, regardless of who we are or where we come from. Reason can naturally account in one way or another for everything that happens within its view of the world. Sorcerers have learned after generations to account in their views for everything that is accountable about them. I would say that sorcerers, by using their will, have succeeded in enlarging their views of the world. Some though are not men of knowledge. They never break the bounds of their enormous views and thus never arrive at the totality of themselves.

Only if one pits two views against each other can one weasel between them to arrive at the real world. That is, one can arrive at the totality of oneself only when one fully understands that the world is merely a view, regardless of whether that view belongs to an ordinary man or to a sorcerer. What matters is not to learn a new description but to arrive at the totality of oneself. One should get to the nagual without maligning the tonal, and above all, without injuring one's body.

The tonal doesn't know that decisions are in the realm of the nagual. When we think we decide, all we're doing is acknowledging that something beyond our understanding has set up the frame of our so-called decision, and all we do is to acquiesce.

We're at the end of our review. All in all, then, you have been being led into the nagual. But here we have a strange question. What is being led into the nagual? Not reason. Reason is meaningless there. Reason craps out in an instant when it is out of its safe narrow bounds. Your tonal? No, the tonal and the nagual are the two inherent parts of ourselves. They cannot be led into each other. Your perception!

We're coming now to the sorcerers' explanation. It won't explain anything and yet...

Sorcerers say that we are inside a bubble. It is a bubble into which we are placed at the moment of our birth. At first the bubble is open, but then it begins to close until it has sealed us in. That bubble is our perception. We live inside that bubble all of our lives. And what we witness on its round walls is our own reflection.

If what we witness on the walls is our own reflection, then the thing that's being reflected must be the real thing. The thing reflected is our view of the world. That view is first a description, which is given to us from the moment of our birth until all our attention is caught by it and the description becomes a view. The teacher's task is to rearrange the view, to prepare the luminous being for the time when the spirit opens the bubble. The bubble is opened in order to allow the luminous being a view of his totality. Naturally this business of calling it a bubble is only a way of talking, but in this case it is an accurate way.

The delicate maneuver of leading a luminous being into the totality of themself requires that the teacher reorder the view of the world. I have called that view the island of the tonal. I've said that everything that we are is on that island. The sorcerers' explanation says that the island of the tonal is made by our perception, which has been trained to focus on certain elements; each of those elements and all of them together form our view of the world. The job of a teacher, insofar as the apprentice's perception is concerned, consists of reordering all the elements of the island on one half of the bubble. By now you must have realized that cleaning and reordering the island of the tonal means regrouping all its elements on the side of reason. My task has been to disarrange your ordinary view, not to destroy it but to force it to rally on the side of reason.

The art of a teacher is to force his disciple to group his view of the world on the right half of the bubble. That's the side of the tonal. The teacher always addresses himself to that side. By presenting his apprentice with the warrior's way he forces him into reasonableness, and sobriety, and strength of character and body. The other half of the bubble, the one that has been cleared, can then be claimed by something sorcerers call will.

We can better explain this by saying that the task of the teacher is to wipe clean one half of the bubble and to reorder everything on the other half. The spirit then opens the bubble on the side that has been cleaned. Once the seal is broken, the warrior is never the same. He has then the command of his totality. Half of the bubble is the ultimate center of reason, the tonal. The other half is the ultimate center of will, the nagual. That is the order that should prevail; any other arrangement is nonsensical and petty, because it goes against our nature; it robs us of our magical heritage and reduces us to nothing.

We have one single issue left. Sorcerers call it the secret of the luminous beings, and that is the fact that we are perceivers. We men and all the other luminous beings on earth are perceivers. That is our bubble, the bubble of perception. Our mistake is to believe that the only perception worthy of acknowledgment is what goes through our reason.

To be ready for the sorcerers' explanation is a very difficult accomplishment. It shouldn't be, but we insist on indulging in our lifelong view of the world. The mystery, or the secret, of the sorcerers' explanation is that it deals with unfolding the wings of perception. The nagual by itself is of no use, it has to be tempered by the tonal. The sorcerers' secret in using the nagual is in our perception.

There's no way to get to the sorcerers' explanation unless one has willingly used the nagual, or rather, unless one has willingly used the tonal to make sense out of one's actions in the nagual. Another way of making all this clear is to say that the view of the tonal must prevail if one is going to use the nagual the way sorcerers do.

Order in our perception is the exclusive realm of the tonal; only there can our actions have a sequence; only there are they like stairways where one can count the steps. There is nothing of that sort in the nagual. Therefore, the view of the tonal is a tool, and as such it is not only the best tool but the only one we've got.

This is the sorcerers' explanation. The nagual is the unspeakable. All the possible feelings and beings and selves float in it like barges, peaceful, unaltered, forever. Then the glue of life binds some of them together. When the glue of life binds those feelings together a being is created, a being that loses the sense of its true nature and becomes blinded by the glare and clamour of the area where beings hover, the tonal. The tonal is where all the unified organization exists. A being pops into the tonal once the force of life has bound all the needed feelings together.

I said to you that the tonal begins at birth and ends at death; I said that because I know that as soon as the force of life leaves the body all those single awarenesses disintegrate and go back again to where they came from, the nagual. What a warrior does in journeying into the unknown is very much like dying, except that his cluster of single feelings do not disintegrate but expand a bit without losing their togetherness. At death, however, they sink deeply and move independently as if they had never been a unit.

There is no way to refer to the unknown, one can only witness it. The sorcerers' explanation says that each of us has a center from which the nagual can be witnessed, the will. A warrior can venture into the nagual and let his cluster arrange and rearrange itself in any way possible.

I have called that cluster the bubble of perception. I have also said that it is sealed, closed tightly, and that it never opens until the moment of our death. Yet it could be made to open. Sorcerers have obviously learned that secret, and although not all of them arrive at the totality of themselves, they know about the possibility of it. They know that the bubble opens only when one plunges into the nagual.

The secret of the double is in the bubble of perception. The cluster of feelings can be made to assemble instantly anywhere. In other words, one can perceive the here and the there at once. You are a nameless cluster of feelings. There is another center of assemblage, the will, through which it is possible to judge or assess and use the extraordinary effects of the nagual. One can reflect the nagual through the will, although one can never explain it.

The conviction that there is a real you is a result of the fact that you have rallied everything you've got around your reason. At this point your reason admits that the nagual is the indescribable, not because the evidence has convinced it, but because it is safe to admit that. Your reason is on safe ground, all the elements of the tonal are on its side.

To make reason feel safe is always the task of the teacher. The teacher tricks the apprentice's reason into believing that the tonal is accountable and predictable. I have laboured to give you the impression that only the nagual is beyond the scope of explanation; the proof that the tricking was successful is that at this moment it seems to you that there is still a core that you can claim as your own, your reason. That's a mirage. Your precious reason is only a center of assemblage, a mirror that reflects something which is outside of it.

The last piece of the sorcerers' explanation says that reason is merely reflecting an outside order, and that reason knows nothing about that order; it cannot explain it, in the same way it cannot explain the nagual. Reason can only witness the effects of the tonal, but never ever could it understand it, or unravel it. The very fact that we are thinking and talking points out an order that we follow without ever knowing how we do that, or what the order is.

Sorcerers say that through the will they can witness the effects of the nagual. I can add now that through reason, no matter what we do with it, or how we do it, we are merely witnessing the effects of the tonal. In both cases there is no hope, ever, to understand or to explain what it is that we are witnessing.

The wings of perception can take us to the most recondite confines of the nagual or to inconceivable worlds of the tonal. The tonal of every one of us is but a reflection of that indescribable unknown filled with order; the nagual of every one of us is but a reflection of that indescribable void that contains everything. You have nothing except the force of your life that binds that cluster of feelings. Turn off your internal dialogue; gather the power needed to unfold the wings of your perception and fly to that infinitude.


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Treating the Tonal

Thursday, April 8th, 2010

A warrior treats his tonal in a very special manner. Life can be merciless with you if you are careless with your tonal. To see a man as a tonal entails that one cease judging him in a moral sense, or excusing him on the grounds that he is like a leaf at the mercy of the wind. In other words, it entails seeing a man without thinking that he is hopeless or helpless. You know exactly what I am talking about. One can assess people without condemning or forgiving them.

Youth is in no way a barrier against the deterioration of the tonal. You say you think there might be a great many reasons for one's condition. I find that there is only one, our tonal. It is not that our tonal is weak because, for example, we drink; it is the other way around, one drinks because one's tonal is weak. That weakness forces one to be what he is. This happens to all of us, in one form or another.

But aren't I also justifying our behaviour by saying that it's our tonal? No, I'm giving you an explanation that you have never encountered before. It is not a justification or a condemnation, though. Our tonals are weak and timid. All of us are more or less in the same boat.

There is no need to treat the body in an awful manner, but the fact is that all of us have learned to perfection how to make our tonal weak. I have called that indulging. Only a warrior has a proper tonal. The average man, at best, can have a right tonal.

A proper tonal is a tonal that is just right, balanced and harmonious. There are, roughly speaking, two sides to every tonal. One is the outer tonal, the fringe, the surface of the island. That's the part related to action and acting, the rugged side. The other part is the decision and judgment, the inner tonal, softer, more delicate and more complex. The proper tonal is a tonal where the two levels are in perfect harmony and balance.

For a proper tonal everything on the island of the tonal is a challenge. Another way of saying it is that for a warrior everything in this world is a challenge. The greatest challenge of all, of course, is his bid for power. But power comes from the nagual, and when a warrior finds himself at the edge of the day it means that the hour of the nagual is approaching, the warrior's hour of power.

One bids for power and that bidding is irreversible. I wouldn't say that at the time power comes, that one is about to fulfill his destiny, because there is no destiny. The only thing that can be said then is that, at that point, one is about to fulfill his power.

A rule of thumb for a warrior is that he makes his decisions so carefully that nothing that may happen as a result of them can surprise him, much less drain his power. To be a warrior means to be humble and alert. When you come to see me you should come prepared to die. If you come here ready to die, there shouldn't be any pitfalls, or any unwelcome surprises, or any unnecessary acts. Everything should gently fall into place because you're expecting nothing.

It's not that you have to live with all this. You are all this. A warrior doesn't ever leave the island of the tonal. He uses it. This is your world. You can't renounce it. It is useless to get angry and feel disappointed with oneself. All that that proves is that one's tonal is involved in an internal battle; a battle within one's tonal is one of the most inane contests I can think of. The tight life of a warrior is designed to end that struggle. From the beginning I have taught you to avoid wear and tear. The warrior's way is harmony - the harmony between actions and decisions, at first, and then the harmony between tonal and nagual.

It is the tonal that has to relinquish control. The tonal is made to give up unnecessary things like self-importance and indulging, which only plunge it into boredom. The whole trouble is that the tonal clings to those things when it should be glad to rid itself of that crap. The task then is to convince the tonal to become free and fluid. That's what a sorcerer needs before anything else, a strong, free tonal. The stronger it gets the less it clings to its doings, and the easier it is to shrink it.

The tonal shrinks at given times, especially when it is embarrassed. Once the tonal has shrunk, the nagual, if it is already in motion, no matter how small that motion is, will take over and achieve extraordinary deeds. The affairs of the nagual can be witnessed only with the body, not the reason. We are fluid, luminous beings made out of fibers. The agreement that we are solid objects is the tonal's doings. When the tonal shrinks, extraordinary things are possible. But they are only extraordinary for the tonal.

The nagual, once it learns to surface, may cause great damage to the tonal by coming out without any control. Your tonal has to be convinced about all of this with reasons, your nagual with actions, until one props the other. As I have told you, the tonal rules, and yet it is very vulnerable. The nagual, on the other hand, never, or almost never, acts out; but when it does, it terrifies the tonal.

The tonal must be protected at any cost. The crown has to be taken away from it, but it must remain as the protected overseer. Any threat to the tonal always results in its death. And if the tonal dies, so does the whole man. Because of its inherent weakness the tonal is easily destroyed, and thus one of the balancing arts of the warrior is to make the nagual emerge in order to prop up the tonal. I say it is an art, because sorcerers know that only by boosting the tonal can the nagual emerge. That boosting is called personal power.

My advantage over you at this moment is that I know how to get to the nagual, and you don't. But once I have gotten there I have no more advantage and no more knowledge than you. The nagual is only for witnessing. When one is dealing with the nagual, one should never look into it directly. The only way to look at the nagual is as if it were a common affair. One must blink in order to break the fixation. Our eyes are the eyes of the tonal, or perhaps it would be more accurate to say that our eyes have been trained by the tonal, therefore the tonal claims them. One of the sources of an apprentice's bafflement and discomfort is that his tonal doesn't let go of his eyes. The day it does, his nagual will have won a great battle. Your obsession or, better yet, everyone's obsession is to arrange the world according to the tonal's rules; so every time we are confronted with the nagual, we go out of our way to make our eyes stiff and intransigent. I must appeal to the part of your tonal which understands this dilemma and you must make an effort to free your eyes. The point is to convince the tonal that there are worlds that can pass in front of the same windows. Let your eyes be free; let them be true windows. The eyes can be the windows to peer into boredom or to peek into that infinity.

All you have to do is to set up your intent as a customs house. Whenever you are in the world of the tonal, you should be an impeccable tonal; no time for irrational crap. But whenever you are in the world of the nagual, you should also be impeccable; no time for rational crap. For the warrior, intent is the gate in between. It closes completely behind him when he goes either way.

Another thing one should do when facing the nagual is to shift the line of the eyes from time to time, in order to break the spell of the nagual. Changing the position of the eyes always eases the burden of the tonal. This shifting should be done only as a relief, though, not as another way of palisading yourself to safeguard the order to the tonal.

If there are too many unnecessary items on your island you won't be able to sustain the encounter with the nagual. No one is capable of surviving a deliberate encounter with the nagual without a long training. It takes years to prepare the tonal for such an encounter. Ordinarily, if an average man comes face to face with the nagual the shock would be so great that he would die. The goal of the warrior's training then is not to teach him to hex or to charm, but to prepare his tonal not to crap out. A most difficult accomplishment. A warrior must be taught to be impeccable and thoroughly empty before he could even conceive witnessing the nagual.

The island of the tonal has to be swept clean and maintained clean. That's the only alternative that a warrior has. A clean island offers no resistance; it is as if there were nothing there. Nothing that we may have gained in the course of our lives can reveal to us the designs of power. A warrior must struggle like a demon to shrink his tonal; and yet at the very moment the tonal shrinks, the warrior must reverse all that struggle to immediately halt that shrinking.

After the tonal shrinks, the warrior is closing the gate from the other side. As long as his tonal is unchallenged and his eyes are tuned only for the tonal's world, the warrior is on the safe side of the fence. He's on familiar ground and knows all the rules. But when his tonal shrinks, he is on the windy side, and that opening must be shut tight immediately, or he would be swept away.

As a rule the tonal must defend itself, at any cost, every time it is threatened; so it is of no real consequence how the tonal reacts in order to accomplish its defense. The only important matter is that the tonal of a warrior must become acquainted with other alternatives. What a teacher aims for, in this case, is the total weight of those possibilities. It is the weight of those new possibilities which helps to shrink the tonal. By the same token, it is the same weight which helps stop the tonal from shrinking out of the picture.

The nagual can perform extraordinary things, things that do not seem possible, things that are unthinkable for the tonal. But the extraordinary thing is that the performer has no way of knowing how those things happen. The secret of the sorcerer is that he knows how to get to the nagual, but once he gets there, your guess is as good as his as to what takes place.

Let's say that the warrior learns to tune his will, to direct it to a pinpoint, to focus it wherever he wants. It is as if his will, which comes from the midsection of his body, is one single luminous fiber, a fiber that he can direct at any conceivable place. That fiber is the road to the nagual. Or I could also say that the warrior sinks into the nagual through that single fiber. Once he has sunk, the expression of the nagual is a matter of his personal temperament.

One of the aims of the warrior's training is to cut the bewilderment of the tonal, until the warrior is so fluid that he can admit everything without admitting anything. The only way to fend off the nagual is to remain unaltered. The nagual is only for witnessing. So, we can talk about what we witness and about how we witness it. You want to take on the explanation of how it is all possible, though, and that is an abomination. You want to explain the nagual with the tonal. That is stupid. We make sense in talking only because we stay within certain boundaries, and those boundaries are not applicable to the nagual. To be a perfect tonal means to be aware of everything that takes place on the island of the tonal. It takes a gigantic struggle to clean the island of the tonal.

We interpret any unknown expression of the nagual as something we know. The nagual might be interpreted as a breeze shaking the leaves, or even as some strange light, perhaps a lightning bug of unusual size. If a man who doesn't see is pressed, he would say that he thought he saw something but could not remember what. This is only natural. The man would be talking sense. After all, his eyes would have judged nothing extraordinary; being the eyes of the tonal they have to be limited to the tonal's world, and in that world there is nothing staggeringly new, nothing which the eyes cannot apprehend and the tonal cannot explain.

In order to be an average tonal a man must have unity. His whole being must belong to the island of the tonal. Without that unity the man would go berserk; a sorcerer, however, has to break that unity, but without endangering his being. A sorcerer's goal is to last; that is, he doesn't take unnecessary risks, therefore he spends years sweeping his island until a moment when he could, in a manner of speaking, sneak off it.

The whispering of the nagual will come at times and then vanish. Don't be afraid of it, or of any unusual sensation that you may have from now on. But above all, don't indulge and become obsessed with those sensations.


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The Nagual

Thursday, April 8th, 2010

What, then, is the nagual? The nagual is the part of us which we do not deal with at all. The nagual is the part of us for which there is no description - no words, no names, no feelings, no knowledge. The nagual is not experience or intuition or consciousness. Those terms and everything else you may care to say are only items on the island of the tonal. The nagual, on the other hand, is only effect. The tonal begins at birth and ends at death, but the nagual never ends. The nagual has no limit. I've said that the nagual is where power hovers; that was only a way of alluding to it. By reasons of its effect, perhaps the nagual can be best understood in terms of power.

It is not mind, it is not soul, it is not the thoughts of men, it is not a state of grace or Heaven or pure intellect, or psyche, or energy, or vital force, or immortality, or life principle, or the Supreme Being, the Almighty, God - all of these are items on the island of the tonal. The tonal is, as I've already said, everything we think the world is composed of, including God, of course. In that sense, what we think of as God has no more importance other than being a part of the tonal of our time.

The nagual is at the service of the warrior. It can be witnessed, but it cannot be talked about. The nagual is there, surrounding the island of the tonal. There, where power hovers. We sense, from the moment we are born, that there are two parts to us. At the time of birth, and for a while after, we are all nagual. We sense, then, that in order to function we need a counterpart to what we have. The tonal is missing and that gives us, from the very beginning, a feeling of incompleteness. Then the tonal starts to develop and it becomes utterly important to our functioning, so important that it opaques the shine of the nagual, it overwhelms it. From the moment we become all tonal we do nothing else but to increment that old feeling of incompleteness which accompanies us from the moment of our birth, and which tells us constantly that there is another part to give us completeness.

From the moment we become all tonal we begin making pairs. We sense our two sides, but we always represent them with items of the tonal. We say that the two parts of us are the soul and the body. Or mind and matter. Or good and evil. God and Satan. We never realize, however, that we are merely paring things on the island, very much like paring coffee and tea, or bread and tortillas, or chilli and mustard. I tell you, we are weird animals. We get carried away and in our madness we believe ourselves to be making perfect sense.

What can one specifically find in that area beyond the island? There is no way of answering that. If I would say, Nothing, I would only make the nagual part of the tonal. All I can say is that there, beyond the island, one finds the nagual. But then you say, when I call it the nagual, aren't I also placing it on the island? No. I named it only because I wanted to make you aware of it. I have named the tonal and the nagual as a true pair. That is all I have done.

We sense that there is another side to us. But when we try to pin down that other side the tonal gets hold of the baton, and as a director it is quite petty and jealous. It dazzles us with its cunningness and forces us to obliterate the slightest inkling of the other part of the true pair, the nagual. The nagual has consciousness. It is aware of everything. In order to talk about it we must borrow from the island of the tonal, therefore it is more convenient not to explain it but to simply recount its effects.

Are the nagual and the tonal within ourselves? you ask. You yourself would say that they are within ourselves. I myself would say that they are not, but neither of us would be right. The tonal of your time calls for you to maintain that everything dealing with your feelings and thoughts takes place within yourself. The sorcerers' tonal says the opposite, everything is outside. Who's right? No one. Inside, outside, it doesn't really matter.

To explain all this is not that simple. No matter how clever the checkpoints of the tonal are the fact of the matter is that the nagual surfaces. Its coming to the surface is always inadvertent, though. The tonal's great art is to suppress any manifestation of the nagual in such a manner that even if its presence should be the most obvious thing in the world, it is unnoticeable.

Let's say that the tonal, since it is keenly aware of how taxing it is to speak of itself, has created the terms "I", "myself", and so forth as a balance and thanks to them it can talk with other tonals, or with itself, about itself.      Now when I say that the tonal forces us to do something, I don't mean that there is a third party there. Obviously it forces itself to follow its own judgments. On certain occasions, however, or under certain special circumstances, something in the tonal itself becomes aware that there is more to us. It is like a voice that comes from the depths, the voice of the nagual. You see, the totality of ourselves is a natural condition which the tonal cannot obliterate altogether, and there are moments, especially in the life of a warrior, when the totality becomes apparent. At those moments one can surmise and assess what we really are.

When we die, we die with the totality of ourselves. A sorcerer asks the question: "If we're going to die with the totality of ourselves, why not, then, live with that totality?"


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The Tonal

Thursday, April 8th, 2010

The tonal is the social person or character. The tonal is, rightfully so, a protector, a guardian - a guardian that most of the time turns into a guard. The tonal is the organizer of the world. Perhaps the best way of describing its monumental work is to say that on its shoulders rests the task of setting the chaos of the world in order. It is not farfetched to maintain, as sorcerers do, that everything we know and do as men is the work of the tonal. At this moment, for instance, what is engaged in trying to make sense out of our conversation is your tonal; without it there would be only weird sounds and grimaces and you wouldn't understand a thing of what I'm saying.

I would say then that the tonal is a guardian that protects something priceless, our very being. Therefore, an inherent quality of the tonal is to be cagey and jealous of its doings. And since its doings are by far the most important part of our lives, it is no wonder that it eventually changes, in every one of us, from a guardian into a guard. A guardian is broad-minded and understanding. A guard, on the other hand, is a vigilante, narrow-minded and most of the time despotic. I say, then, that the tonal in all of us has been made into a petty and despotic guard when it should be a broad-minded guardian.

The tonal is everything we are. Anything we have a word for is the tonal. Since the tonal is its own doings, everything, obviously, has to fall under its domain. Remember, I've said that there is no world at large but only a description of the world which we have learned to visualize and take for granted. The tonal is everything we know. I think this in itself is enough reason for the tonal to be such an overpowering affair.

The tonal is everything we know, and that includes not only us, as persons, but everything in our world. It can be said that the tonal is everything that meets the eye. We begin to groom it at the moment of birth. The moment we take the first gasp of air we also breathe in power for the tonal. So, it is proper to say that the tonal of a human being is intimately tied to his birth. You must remember this point. It is of great importance in understanding all this. The tonal begins at birth and ends at death.

The tonal is what makes the world. However, the tonal makes the world only in a manner of speaking. It cannot create or change anything, and yet is makes the world because its function is to judge, and assess, and witness. I say that the tonal makes the world because it witnesses and assesses it according to tonal rules. In a very strange manner the tonal is a creator that doesn't create a thing. In other words, the tonal makes up the rules by which it apprehends the world. So, in a manner of speaking, it creates the world. The tonal is like the top of a table - an island. And on this island we have everything. This island is, in fact, the world.

There is a personal tonal for every one of us, and there is a collective one for all of us at any given time, which we can call the tonal of the times. It's like the rows of tables in a restaurant, every table has the same configuration. Certain items are present on all of them. They are, however, individually different from each other; some tables are more crowded than others; they have different food on them, different plates, different atmosphere, yet we have to admit that all the tables are very alike. The same thing happens with the tonal. We can say that the tonal of the times is what makes us alike, in the same way it makes all the tables in a restaurant alike. Each table separately, nevertheless, is an individual case, just like the personal tonal of each of us. But the important factor to keep in mind is that everything we know about ourselves and about our world is on the island of the tonal.


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The Sorceror's Explanation

Thursday, April 8th, 2010

Now it's time to talk about the totality of oneself. The totality of ourselves is a very mysterious affair. We need only a very small portion of it to fulfill the most complex tasks of life. Yet when we die, we die with the totality of ourselves. Some of the things I am going to point out to you will probably never be clear. They are not supposed to be clear anyway. So don't be embarrassed or discouraged. All of us are dumb creatures when we join the world of sorcery, and to join it doesn't in any sense insure us that we will change. Some of us remain dumb until the very end. What I'm about to say is meant only to point out a direction.

I'm going to tell you about the tonal (pronounced toh-na'hl) and the nagual (pronounced nah-wa'hl.) Every human being has two sides, two separate entities, two counterparts which become operative at the moment of birth; one is called the tonal and the other the nagual. The right side, which is called the tonal, encompasses everything the intellect can conceive of. The left side, called the nagual, is a realm of indescribable features: a realm impossible to contain in words. The left side is perhaps comprehended, if comprehension is what takes place, with the total body; thus its resistance to conceptualization. All the faculties, possibilities, and accomplishments of sorcery, from the simplest to the most astounding, are in the human body itself.

For the shamans who lived in Mexico in ancient times, which stemmed from perceiving energy directly as it flows in the universe, found that when the human body is perceived as energy, it is composed of two complete functioning bodies, one on the left and one on the right, a fundamental understanding to their endeavors as sorcerers. It is utterly patent that it is composed not of two parts, but of two different types of energy: two different currents of energy, two opposing and at the same time complementary forces that coexist side by side, mirroring, in this fashion, the dual structure of everything in the universe at large.

Each one of these two dif­ferent kinds of energy was accorded the stature of a total body. Their emphasis was on the left body, because they considered it to be the most effective, in terms of the nature of its energy configuration, for the ultimate goals of shamanism. The shamans of ancient Mexico, who depicted the two bodies as streams of energy, depicted the left stream as being more turbulent and aggressive, moving in undulating ripples and projecting out waves of energy. For illustration, visualize a scene in which the left body was like half of the sun, and that all the solar flares happened on that half. The waves of energy pro­jected out of the left body were like those solar flares - always perpen­dicular to the round surface from which they originated.

Now imagine the stream of energy of the right body as not being turbulent at all on the surface, but moving  like water inside a tank which was being slightly tilted back and forth. There were no ripples in it, but a continuous rocking motion. At a deeper level, however, it swirled in rotational circles in the form of spirals. Envision a very wide, peaceful?looking tropical river, where the water on the sur­face seemed barely to move, but which had shattering riptides below the surface. In the world of everyday life, these two currents are amalga­mated into a single unit: the human body as we know it.

To the eye of the seer, however, the energy of the total body is circular. This means that the right body is the predominant force. The division of energy between the two bodies is not measured by dexterity, or the lack of it. The predominance of the right body is an energetic predominance, which was encountered by the shamans of ancient times. They never tried to explain why this predomi­nance happened in the first place, nor did they try to further investigate the philosophical implications of it. For them, it was a fact, but a very special fact. It was a fact that could be changed.

Why would you want to change it? Because the predominant circular motion of the right body's energy is too friggin’ boring! That circular motion certainly takes care of any event of the daily world, but it does it circularly, if you know what I mean. Every situation in life is met in this circular fashion, on and on and on and on and on. It's a circular movement that seems to draw the energy inward always, and turns it around and around in a centripetal motion. Under these conditions, there's no expansion. Nothing can be new. There is nothing that cannot be inwardly accounted for. What a drag!

It's too late to be really changed. The damage is already done. The spiral quality is here to remain. But it doesn't have to be ceaseless. Yes, we walk the way we do, we can't change that, but we would also like to run, or to walk backward, or to climb a ladder; just to walk and walk and walk and walk is very effective, but meaningless. The contribution of the left body would make those centers of vitality more pliable. If they could undulate instead of moving in spirals, if only for an instant, different energy would get into them, with staggering results.

The sensation that human beings have of being utterly bored with themselves is due to this predominance of the right body. The only thing left for human beings to do, in a universal sense, is to find ways of ridding themselves of boredom. What they end up doing is finding ways of killing time: the only commodity no one has enough of. But what's worse is the reaction to this unbalanced distribution of energy. The violent reactions of people are due to this unbalanced dis­tribution. It seems that from time to time, helplessness builds furious currents of energy within the human body, which explode in violent behavior. Violence seems to be, for human beings, another way of killing time.

The sorcerers of ancient Mexico didn’t know why this situation happened, but they knew how. Awareness is the only avenue that human beings have for evolu­tion and something extraneous to us, something that has to do with the predatorial condition of the universe, has inter­rupted our possibility of evolving by taking possession of our awareness. Human beings have fallen prey to a predatorial force, which has imposed on them, for its own convenience, the passivity which is char­acteristic of the energy of the right body.

Our evolutionary possibility is a journey that our awareness takes across something the shamans of ancient Mexico called the dark sea of awareness: something which they considered to be an actual feature of the universe, an incommensurable element that per­meates the universe, like clouds of matter, or light. The predominance of the right body in this unbalanced merging of the right and left bodies marks the interruption of our journey of awareness. What seems to be for us the natural dominance of one side over the other was, for the sorcerers of his lin­eage, an aberration, which they strove to correct.

Those shamans believed that in order to establish a harmonious divi­sion between the left and the right bodies, practitioners needed to enhance their awareness. Any enhancement of human awareness, how­ever, had to be buttressed by the most exigent discipline. Otherwise, this enhancement, painfully accomplished, would turn into an obses­sion, resulting in anything from psychological aberration to energetic injury.


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Table of Contents

Thursday, April 8th, 2010

PART ONE

The Fight for Freedom
The Eagle's Gift
The Path of Knowledge
A Path with a Heart
The Warrior's Secret
The Four Natural Enemies

Becoming a Warrior
Erasing Personal History
Losing Self-Importance
Death as an Advisor
Assuming Responsibility
Your Last Battle is Now

Learned Reality
First Ring of Power
Second Ring of Power
The Internal Dialogue
Inner Silence
"Seeing"
The World

The Way of the Warrior
Having to Believe
Controlled Folly
Impeccability
Unbending Intent

The Sorceror's Explanation
The Tonal
The Nagual
Treating the Tonal
Cleaning the Tonal
The Façade of Self-Pity
The Human Form

Hunting For Power
Setting Up Dreaming
Gazing
Not-Doing
Recapitulation

PART TWO (coming soon)
Will cover such main topics as the mastery of awareness, the assemblage point, commanding intent, the inorganic beings or allies, the wheel of time, and more…

PART THREE (planned)
The Art of Dreaming
The Art of Hunting

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